Art
It's hard now to go more than a couple months without stumbling across another exhibition showing "artists [who] question the boundary between art and technology." It's enough to make you never give another crap about the boundary between art and technology. But I'm not sure the artists involved in
Art
Last night's opening of Khaled Jarrar's two-part exhibition No Exit at Whitebox Art Center and the related 10 Days, 10 Ideas workshops at Undercurrent Projects was a window into the art world realities facing Palestinian artists in the midst of the escalating violence in Gaza, the West Bank, and Isr
News
With less than a week to go before the opening of two shows that feature the works of Palestinian artist Khaled Jarrar, I received a message from him that read: "The Israelis sent me back." Another soon followed: "No trip to NY."
Art
Dada: It was the mother of all revolutionary art movements, shocking in the almost mystical nihilism and concomitant absurdity that it expounded. Anti-aesthetic, anti-rational, anti-idealistic, anti-establishment, anti-literary … anti-everything it seemed!
Art
It has been sixty years since the last Tunisian artist, Abdelaziz Gorgi, was formally shown in New York, but that's the first of two claims to history made by The After Revolution, a series of exhibitions showcasing Tunisian artists at White Box on the Lower East Side — the focus of this review — as
Art
Do you know Adonis? He's not like those other male nudes that only exist to flaunt their bodies. Adonis has a touch of the ethereal. Delicate, almost elvish, features lend a gentleness to his face. He's taut but not Herculean. He is mature but retains the slim, willowy frame of youth. This special k