PARIS — Though almost entirely lacking a female presence — artist Jay DeFeo and poet Diane Di Prima being the exceptions that prove the rule — the Centre Pompidou’s airily laid out retrospective of the Beat Generation is otherwise flawless.
PARIS — With determined indeterminacy, young Mathilde Louette initiated a perplexing but hip four-hour English-language celebration of William S. Burroughs’s 100th birthday on December 12 in Paris, where the writer lived, on and off, between 1958 and 1966.
From 1953 to 1963 — a period that corresponds with the publication of his most celebrated works — Allen Ginsberg snapped photographs of his cohort of soon-to-be famous friends. These shots weren’t intended for exhibition; they were mementos, thrown in the back of a drawer. He unearthed them two decades later and had copies made, in the borders of which he scrawled relevant details in felt-tip pen. It is these photographs, amended with shots from the ’80s and ’90s, that are on display at New York University’s Grey Art Gallery.