Lucinda Hawksley’s book Bitten by Witch Fever chronicles the rise of poisonous pigments in the 19th century through the burgeoning British wallpaper trade.
William Morris
From Pulp to Pop, Seven Centuries of Book Art
PARIS — Pliure (meaning “fold” in French) is a book-based small show, tastefully curated by Paulo Pires do Vale, about the artistic metamorphosis of books (those folded paper things).
V&A’s First Games Designer in Residence Takes On 19th-Century Textiles
Curiosity was piqued across the games and museum communities last May when the Victoria & Albert Museum announced their first games designer in residence. Now games designer Sophia George has unveiled her first project in the residency.
How One Regional Craft Museum Is Expanding Its Horizons
LOUISVILLE, Kentucky — The Kentucky Museum of Art and Craft in Louisville has spent the last couple of years staking out a place in discussions occurring in contemporary art circles about the line dividing art and craft. The recent exhibition PRESS: Artist and Machine was a romantic show focused on illuminating the relationship between 19th-century printing-press technology and 20th- and 21st-century art production.
Conservators Uncover Collaborative Pre-Raphaelite Mural
Conservators have discovered an entire wall painting done by five Pre-Raphaelite artists in a house in a London suburb. The building, known as the Red House, was the home of Arts and Crafts movement founder William Morris between 1860 and 1865; sometime during those years, Morris completed the painting in collaboration with artists Edward Burne-Jones, Dante Gabriel Rossetti, Elizabeth Siddal (Rossetti’s wife), and Ford Madox Brown.