Art
Yinka Shonibare’s Patterns of Decolonization
In a gallery such as Serpentine, defined by both Britishness and blue-chip status in the art world, how much can categories be suspended?
Art
In a gallery such as Serpentine, defined by both Britishness and blue-chip status in the art world, how much can categories be suspended?
Art
With Justice for All — Shonibare's contribution to Singapore Art Week — the artist represents the multiplicity of voices of a contemporary globalized society.
Art
This exhibition at ICA/Boston presents works by 20 contemporary artists — many of them immigrants or members of the African diaspora — that highlight current migration events.
Art
In some respects, it makes sense that Shonibare has installed his work in the Driehaus Museum, a monument and tomb consecrated to the gilded age.
In Brief
Barbara Chase-Riboud, David Adjaye, Hank Willis Thomas, Yinka Shonibare, and Wodiczko are among the finalists of the monumental project.
Art
An exhibition at the Wellin Museum in upstate New York brings together nine video and moving image works by seven artists born or living in Africa.
Art
COLUMBUS, Ohio — Spanning several media, much of the work in Us Is Them makes social commentary from the perspective of underrepresented populations. Notably, the show features some of the biggest names in contemporary African-American art, bringing the focus on the fraught nature of black existence
Art
In Colonial Arrangements, a site-specific exhibition in partnership with the Historic House Trust, UK-born Nigerian artist Yinka Shonibare MBE conjures Eliza Jumel's specter with headless mannequins clothed in Dutch wax fabric.
Art
WASHINGTON, DC — When you think of textiles in museums, you inevitably imagine old things: musty rooms, faded colors, grandiose tapestries or thread-bare fragments, and fussy, protective installations.
Art
Thematic exhibitions present a unique dilemma; if a curator follows a theme too rigidly, the exhibition can become stifling. If applied too loosely, the curator essentially undermines their own role.
Books
Yinka Shonibare MBE's decapitated mannequins in their vibrant batik fabric outfits cavort through a collage of influences that the British-born, Nigeria-raised artist has excavated from the complicated history of culture.
Art
CHICAGO — It's impossible to know when love begins. At best, we are mildly aware of its onset — a subtle brush of the hair, a lick of the lips, a quiet nudge of the hip, a gaze that lasts too long or not long enough. What we do know is that love finds us; we cannot search it out. Spanish poet Federi