Yoko Ono is usually a bit much for me: I find things like smile apps and instruction pieces that tell you to “Make a wish” and “Keep wishing” cloyingly precious. (Maybe I’m just a cranky, cynical New Yorker.) But Ono has a new video called “Make-Up Tips for Men” (made as part of her clothing line for Opening Ceremony) that I actually adore, precisely because it cuts the sweetness with camp.
Leave it to Yoko Ono to create one of the cheeriest, global participatory art projects with an iPhone.
Occupy Wall Street’s Arts and Culture group has so far been able to align itself with prominent artists and organizations around New York, and now Yoko Ono, a major inspiration for OWS you could say, will join the ranks.
LOS ANGELES — October marked the beginning of the Pacific Standard Time onslaught, a collaboration between 60 institutions to commemorate and celebrate the birth of the Los Angeles art scene from 1945 to 1980. LA Contemporary Exhibitions (LACE) is among a host of venues invested in translating the performative end of LA’s art scene for contemporary audiences, and this past Saturday was no exception.
BEIJING — I moved to China almost a year ago now, into a country where I knew no one and where even the internet was foreign. I pulled away from my main social circle geographically, but did what I could do stay connected via the internet and phone.
And yet, just as I turned to the internet for social connection, I also realized it was increasingly difficult to rely on my usual circles. Timezones, the Great Firewall and the weak internet connection in my neighborhood all made me realize that the utopian ideal of global connection was far from being achieved.
“Something I Guarantee You’ve Never Done Before” was the title of the Facebook invitation I got. “Hmm.” I thought. The invitation was somewhat secretive, but the link that was provided confirmed what I suspected. Being somewhat familiar with Olek’s work from some of the press she’s gotten, I knew it would involve spending time in a full-body crocheted costume. A few weeks later after determining I didn’t have anything better to do (and I mean that in the best possible way), I decided to go for it. Crocheting is a very occasional hobby of mine. I’ve always had an affinity for it over knitting, which seems to be the hipper of these crafts, and I wanted to get more familiar with Olek’s work after her last show titled KnittingisforPus*****.
In light of yesterday’s shocking news that avant-garde filmmaker Jonas Mekas is suing art dealer Harry Stendhal for a supposed swindle, I wanted to share one positive highlight of the business relationship between Stendhal and Mekas
that just surfaced online … 14 short films, which include three episodes of his 365 web project from 2007 and 11 from the 40 Short Films release in 2006. UPDATE: Thanks to an anonymous commenter, I learned that ALL the 365 web videos are on an newer Jonas Mekas site that doesn’t seem to show up on individual video searches. ENJOY ALL 40 SHORT FILMS AND ALL 365 VIDEOS AT jonasmekasfilms.com. THANK YOU, ANONYMOUS COMMENTER!
The most striking aspect of social media art is that it contains facets of net.art, by being digital; visual art, by existing on a two-dimensional surface; public art, by existing in spaces used habitually by hundreds of millions of people; and performance art, by being inherently social. Whether the aggregate is greater than its sum remains to be seen …