Her art pulls no punches about the impact of sexual violence, and critic Seph Rodney sits down with the artist to discuss her work.
There is both vulnerability and strength in Buckman’s texts and bodily forms.
Oh, What a World! What a World! brings together a diverse range of artists’ reactions to the anxiety gripping the nation.
In Los Angeles, a 9-foot uterus capped with boxing glove ovaries rotates on a three-story pole outside The Standard hotel.
The pieces in Transparency Shade build the aesthetics of a hybrid world, where identities are blurred and cultural or racial dichotomies dissolved.
March Madness at Fort Gansevoort cleverly presents the appurtenances of sports: the equipment, trophies, and objects that adorn athletic bodies.
Zoe Buckman takes issue with the voice of command, teasing out how patriarchal authority permeates our ideas of femininity and the ways we deal with women’s bodies.