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Hyperallergic

Hyperallergic

Sensitive to Art & its Discontents

Zoe Leonard

Posted inArt

Ahead of Midterm Elections, the Art Community Responds to Zoe Leonard’s “I Want a President”

by Matt Stromberg October 30, 2018October 31, 2018

Participants include artists Edgar Arceneaux and Edgar Heap of Birds, curators Helen Molesworth and Kimberli Meyer, and students from a Prison BA Program at California State Prison, Lancaster.

Hemiciclo a Juárez in Mexico City, where "Quiero un Presidente" will be read on June 30. (photo by Jarekt, via Wikimedia Commons)
Posted inNews

Adapting Zoe Leonard’s “I want a president” for Mexico’s Upcoming Election

by Lucia Hinojosa June 29, 2018June 29, 2018

Ahead of Sunday’s presidential election in Mexico, the poet Luis Felipe Fabre has adapted Leonard’s poem and a collective reading will take place in Mexico City on Saturday.

Posted inArt

Zoe Leonard Transcends Time at the Whitney Museum

Avatar photo by Alex Jen May 7, 2018January 11, 2021

A survey show at the Whitney Museum of American Art asserts ideas about the collapse of time in spaces natural and constructed.

Posted inArt

A Collective Reading at the White House Reenvisions Who Might Be President

Avatar photo by Carey Dunne October 14, 2016

One hundred people gathered to adapt Zoe Leonard’s 1992 text piece “I want a president…” for 2016.

Posted inArt

Clowns Never Get Caught

by Stan Mir July 23, 2016July 28, 2016

Political campaigns, like Jasper Johns’s painting, “Flag,” are based on dreams.

Posted inArt

The Met Breuer Traces the Unfinished to the Deliberately Incomplete in Western Art

Avatar photo by Elisa Wouk Almino March 15, 2016March 15, 2016

At a press preview earlier this month, Sheena Wagstaff, the Metropolitan Museum of Art’s chairwoman for modern and contemporary art, said that “arguably only the Met” could put on a show like Unfinished: Thoughts Left Visible.

Posted inArt

An Early Thanksgiving: The Wagner Gift to the Whitney

Avatar photo by Thomas Micchelli November 21, 2015December 1, 2015

Opening in the shadow of the Paris attacks, the exhibition Collected by Thea Westreich Wagner and Ethan Wagner represents — as Adam Weinberg, the director of the Whitney Museum of American Art, said in his remarks at the press preview — “a celebration of what matters in life.”

Posted inArt

Whitney Biennial 2014: Michelle Grabner on the Fourth Floor

Avatar photo by Hrag Vartanian March 4, 2014March 7, 2014

During the opening remarks for the 2014 Whitney Biennial, Whitney Chief Curator Donna de Salvo said that this year’s exhibition was “one biennial with three distinct points of view,” so we’ve decided to explore that diversity in perspectives with three separate photo essays of the Biennial — one per floor and curator.

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