Art
The Gnarly, Sassy Minimalism of Tom Doyle
Doyle's sculpture offers an opportunity to contemplate the beauty of pure form, but without a hint of nostalgia.
Zurcher Gallery
Art
Kyle Staver's Historical Revisions
Without resorting to parody or cynicism, Staver undoes the tropes we associate with depictions of heroic and mythical.
Art
12 Revelatory Exhibitions from 2017
Each of these exhibitions showed me something I had not seen before.
Art
Matt Bollinger’s America
This is the American dream gone wrong.
Art
The Incessant Art of Kazuko Miyamoto
The key to Miyamoto’s work is repetition that never becomes routine, no matter how mechanical the process might seem.
Art
Merrill Wagner's Puzzles in Color and Tape
Wagner’s method is as straightforward as it is mind-bogglingly precise, so much so that it took a great deal of close scrutiny to fully grasp exactly what she is doing.
Art
Another Hidden Chapter of ’70s Abstraction
The nine artists in 1970’s: 9 Women and Abstraction infuse their art with an unexpected warmth, humanity, and quirkiness that feel all the more invigorating when compared with the cerebral objectification prized by their male Minimalist counterparts.
Art
Simple Pleasures
In his best works Cordy Ryman makes something visually arresting out of ordinary materials and paint — stuff you can buy in a hardware store.
Art
End of the Road: Matt Bollinger at Zürcher Gallery
In his third and best exhibition, Matt Bollinger: Independence, MO, at Zürcher Gallery, the artist continues to remember and invent aspects of his youth, family and friends, while growing up in and around Independence, Missouri, a suburb of Kansas City.
Art
Close Readings from a Cozy Art Fair
As part of the frenzy of Frieze Week, Zürcher Gallery is hosting Salon Zürcher, a more intimate fair featuring both emerging and established artists.
Art
Single Point Perspective: Regina Bogat’s Earthly Divination
Regina Bogat: Works 1967-1977 at Zürcher Gallery marks another milestone in the rediscovery of an artist who has long been hidden in plain sight. Since her start in the 1950s, in a milieu that included abstract artists like Mark Rothko, Ad Reinhardt and her late husband, Al Jensen, Bogat has always