This Is Not My LA Art World

Helene Schjerfbeck’s penetrating self-portraits at The Met, Pride flag artist’s foundation sues the Trump administration, and remembering Henrike Naumann.

We're just a week away from Frieze LA, when East Coast dealers and local artists alike descend upon the Santa Monica Airport, but this isn't Renée Reizman's first rodeo.

Since the critic and artist moved to the area almost 15 years ago, she's witnessed blue-chip New York galleries set up shop and sideline the irreverent, DIY spaces that shape the local art scene. Without these spaces, Reizman writes, she would not have discovered what art can be outside of the white cube. Her ode to the Angeleno artist-run organizations that prioritize experimentation and community over mainstream commercial appeal, from Chinatown's Plot to Altadena's Trade School, couldn't come at a better time.

—Lakshmi Rivera Amin, associate editor


Detail of Barbara Carrasco’s mural “L.A. History: A Mexican Perspective” (1981) (photo Matt Stromberg/Hyperallergic)

LA’s Art Scene Is Not a New York Outpost

During Reizman's early years working in the entertainment industry in LA, she sought refuge at Machine Project, an avant-garde art space in Echo Park. For her, its success "proved that an ecosystem of artists who thrived without gallery representation or a commercial audience was possible." Though the space closed in 2018, its spirit lives on in other artist-run organizations that are up against a growing number of East Coast galleries opening second homes.


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News

Victor “Marka27” Quiñonez’s exhibition Ni de Aquí, Ni de Allá during its previous run at the Boston University Art Galleries (photo by Tim Correira, courtesy BU)
  • Graduate students at the University of North Texas have withdrawn their thesis shows in solidarity with Victor “Marka27” Quiñonez, whose exhibition with artworks critical of ICE was abruptly shuttered by the school last week.
  • The foundation of artist Gilbert Baker, who designed the Pride flag in 1978, is suing the Trump administration for ordering the flag's removal from Stonewall National Monument, among other interventions at national parks.
  • After months of protests, Brooklyn Navy Yard evicted a drone manufacturer that contracts with Customs and Border Patrol, the Israeli military, and an Israeli weapons manufacturer.

From Our Critics

Helene Schjerfbeck, “Self-Portrait” (1912), oil on canvas (photo Finnish National Gallery / Yehia Eweis, courtesy Metropolitan Museum of Art)

The Self-Invention of Helene Schjerfbeck

The Finnish artist’s first major exhibition in the US is a moving and harrowing document of her growth, as well as the psychic and physical ravages of aging. | Bridget Quinn


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Inside Pratt SCPS: Where Practice Meets the Spotlight

Discover what happens when working creatives, career pivoters, and lifelong makers plug into art and design education at Pratt’s School of Continuing and Professional Studies.

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In Memoriam

Henrike Naumann in 2019 (photo by the artist via Wikimedia Commons, CC BY-SA 4.0)

Remembering Henrike Naumann, LaMonte McLemore, and Frederick Wiseman

This week, we honor Germany’s representative at the Venice Biennale, a singer and photographer, and a documentarian of the lives of institutions. | Lisa Yin Zhang


Member Comment

Antonio C. Cuyler on Denva Gallant's "All About Love From a Black Medieval Angel":

I enjoyed reading your article, Ms. Gallant. Thank you! It reminded me of Sun Ra's quote, "It is true that black is beautiful. It’s not ugly, the way you’ve been taught. Black is beautiful. It has many attributes. Although people associate it with death. So what? What’s greater than death? It proves its majesty every day. Everything bows down to death. … If black folks could prove that they’re good buddies with death, nobody would touch you on the planet. Nobody. When they see you coming they’d get out your way."

I also read this article thinking about why do we build hierarchies, and are they absolutely necessary for human societies to function, because human history has repeatedly taught us that "the strong do what they can and the weak suffer what they must."

FEATURED OPPORTUNITY

2026 DAG Visual Art Prize
The DAG Foundation is accepting applications for its annual $20,000 Visual Art Prize, which supports innovative, mid-career artists in the US as they explore new directions and build thriving, sustainable careers.

Deadline: March 18, 2026 | dagfoundation.org

See more in this month’s list of opportunities for artists, writers, and art workers!


From the Archive

A man poses with one of the two original eight-color rainbow flags flying at United Nations Plaza during San Francisco Gay Freedom Day 1978, this one with stars in the canton. (photo by Crawford Barton, Crawford Barton Collection (1993-11), GLBT Historical Society)

Revel in the First Pride Flag, Long-assumed Lost, in San Francisco

The first Rainbow Flag, designed by artist and activist Gilbert Baker, was raised in 1978. | Valentina Di Liscia