Articles

So You Say You Want A Gallery

by Grossmalerman on May 9, 2013

grossmalerman-pic-320Whenever I do a grad school visit, the question I’m most often asked is “How do I get a gallery?” It’s never “Oh! How are you Mr. Grossmalerman?” or “ Would you like to feel how soft my freshly washed hair is?” No! It’s always “How do I get a gallery?” So, by this anecdotal evidence I’m simply going to have to assume that this question weighs heavily on the minds of the young artist. I mean, I suppose you do have to ask yourself “What good is an artist without a gallery?” Not much!

In fact, if you’re reading this and happen to be one of the few artists still without any kind of representation perhaps it’s time to pause for a moment and think about why that is. What is it you’re doing wrong and why are you even bothering? Does the world really need another artist? There seem to be a fair number already at work. Maybe the fact that no one wants to show your work is a sign? Have you considered that? I mean, do you really need it spelled out for you!? Jesus! What the fuck is wrong with you anyway?

In any case, for those of you who insist on going ahead with this charade I applaud your stick-to-it-ness and have gone to the trouble of preparing a short list of suggestions to help you get the gallery of your dreams. Well, if not the gallery of your dreams then at least a gallery to refer to when whining to your friends.

Firstly, and I can’t stress this strongly enough, choose an art gallery and not, say … a restaurant or a custom body shop. You’ll find it makes a world of difference that the proprietor is able to concentrate on pushing your work and isn’t also concerned with preparing delicious appetizers or struggling to sell undercoating. Also, avoid showing your work in a hospital because even if a patient likes your stuff they stand a good chance of dying before they get a chance to buy it or even tell anyone about it. Also, never show your work to old people for the same reason. Plus, they smell weird. So, now we’ve established that you need a gallery that specializes in art. Perhaps a gallery with nice white walls and frosted glass doors if you care to be picky.

Once you’ve chosen your dream gallery how do you plan on getting their attention? Are you going to simply wait for them to notice your work in some awful little group show? Are you going to hope against hope that you are introduced to them at a gallery opening? I should fucking hope not! It’s important to make a unique impression. Just think for a moment how many other desperate young artists are out there trying to get noticed. From all over the world! Even China! Shaking hands and taking numbers. Those people are unstoppable! No! You need to choose a technique that is both clear and direct. Memorable but not weird. Unfortunately, as I’m writing this nothing comes to mind so, I guess you’re kind of your own on that one. Sorry.

So, now you’ve enticed your dream gallery into coming over for a studio visit. Well aren’t you just the lucky ducky! But don’t start designing your solo show invitations just yet. Maybe they’re just coming by for the free steak dinner with all the fixings. Wait, what?! You haven’t prepared dinner! Oh my God! You’re fucked! Throw something together! Even a lasagna will suffice. I’ll wait.

Okay, now that you’ve got that out of the way have you checked the bulb in your slide projector? Sometimes those things just sit there for months between uses and aren’t as bright as they could be when you finally really need them. And speaking of slide projectors, make sure you’re using nice thin cardboard slides and not the thick glass or plastic ones. Those glass ones always jam the carrousel and that’s the last thing you need right in the middle of a studio visit. Especially if you don’t even have dinner to offer them. Just remember, it will all be okay so long as you keep the red wine coming. The general rule is three bottles for the studio visitor. That’s been the rule ever since I can remember. A visiting gallerist will sometimes claim they don’t drink or aren’t “in the mood” but just keep offering. It may seem awkward at first but sooner or later they’ll break and drink their requisite three bottles.

Well, how did that go? What? Congratulations! You now have a gallery!! Don’t thank me, it was all you. Well … okay … if you insist. You’re welcome.

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  • jon b

    Gallerist: “I like that you keep hanging around, Jon. And the best par is you aren’t weird!!” Me: “yesssssssssssss!!!!”

    • http://twitter.com/Grossmalerman Grossmalerman

      Well played Jon. Some artist’s don’t have the industriousness to just hang around. Day after day. Keep your eyes on the prize son.

  • thom thom

    This isn’t funny.

    • http://twitter.com/Grossmalerman Grossmalerman

      I know!!!

      • thom thom

        Should have seen that coming.

  • http://firstproofprints.com/ John Redmann

    I’m only half sure this is satire. In fact I’m not sure it is. Either way, this is brilliant: What is it you’re doing wrong and why are you even bothering?

  • http://twitter.com/erskinestudio Nanci Erskine

    slide projector? huh? was this really written this year-

    otherwise, nice wake-up call! More people need to ask the “why” question.

    • http://twitter.com/Grossmalerman Grossmalerman

      I don’t understand. What’s wrong with slide projectors? Is there some new thing the kids are using? Provided you follow my side advise and keep a fresh bulb handy a slide projector wil serve you well. remeber to put the slides in upside down and backwards!!

      • maxwell hartley

        do authors author things so they can comment the comments?

        • http://twitter.com/Grossmalerman Grossmalerman

          Absolutely not!

  • http://www.facebook.com/brianmoz Brian Fernandes-Halloran

    Ya had me, then ya lost me. Then ya had me, then ya lost me again. Then ya had me. Yay!

  • http://www.facebook.com/brianmoz Brian Fernandes-Halloran

    Oh my god, I met you a year and so ago at a Powhida opening. You said you were making a web show, parody about the art world. You asked me where I was showing my work. I said in a small, little known, gallery in Chinatown and you raised your eyebrows, turned 90 degrees and pretended I wasn’t there. It was amazing because it was just the two of us chatting. I’ve told people about the encounter because it was the ultimate snub.
    I guess now remembering that encounter I feel comfortable saying what almost everyone thinks when they watch your show. It’s horrible.

    • http://twitter.com/Grossmalerman Grossmalerman

      How could I forget? This encounter was memorable for a number of reasons. Firstly, for the way you went on and on about your work regardless of my showing absolutely no interest in hearing about it and, in fact, having asked you to stop several times. Secondly, for your horrendous breath which you were also seemingly oblivious to and finally, and I can’t prove this but believe it to my marrow, the fact that you had just shit your self. Right there. In the gallery.I mean, What kind of a man does that?? I ask you??? Yes it was just the two of us. Everyone else was avoiding you and your shit soaked pants.
      BTW…If you are able to remember year old social snubs this might not be the right line of work for you

      • http://www.facebook.com/brianmoz Brian Fernandes-Halloran

        You don’t remember any social encounters from a year ago? That’s how human memory works. We hold on to happenings that stand out. I’m sorry for crapping my pants.Guess we both left an impression.

  • samthor

    step 1. make art.
    Step 2. go to shows. meet people. talk to the artists. be inspired by the great shows. be motivated by the bad ones. network. then… and only then…look for an opportunity.
    Step 3. follow through in the most professional manner possible.
    Repeat.

    • Xam

      How does an artist get a million dollars?
      They start with 2 million.

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