Alicia Eler

Hans-Ulrich Obrist

LOS ANGELES — The art world has a lot of feelings about Instagram. On a humid Saturday night in Los Angeles, the roving cultural hub ForYourArt spilled their #instaguts about it all through the Instagram Mini-Marathon.

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Museums

Minor White’s Vulnerability

by Alicia Eler on July 25, 2014

Minor White, “Untitled (composite print)” (1973)

LOS ANGELES — Minor White’s photographs offer a portrait of a life lived in collaboration with the natural world, other people, and the great beyond. This collection of crisp photographs make up the retrospective Manifestations of the Spirit.

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John Altoon,

LOS ANGELES — In John Altoon’s current retrospective at the Los Angeles County Museum of Art, curator Carol S. Eliel organizes a view of this Los Angeles artist’s work that spans from his early beginnings in art — heavy strokes of more Cubist-type work — to his delicate, sexually charged ink and watercolors leading up to his death.

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Post image for This Journal Is Not a Market

LOS ANGELES — Here’s the problem: “It is how people come to see art as a tool, a flavor, or a device.” So says Charlie White, editor of The Enemy, a triannual online journal that publishes long-form essays on criticism, social science, poetry, celebrity, and other cultural interests.

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Museums

June Wayne’s Farewell

by Alicia Eler on June 23, 2014

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LOS ANGELES — June Wayne’s retrospective at the Pasadena Museum of California Art is a tightly curated, chronologically arranged exhibition of paintings, prints, tapestries, and video by a founder of the feminist art movement.

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Galleries

It’s a Bitchy World

by Alicia Eler on May 30, 2014

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LOS ANGELES — The self-titled exhibition and zine release Bitches Rule, Cycle 3 is nestled in the back of & Pens Press, an art bookstore in Culver City set to become a roving/pop-up shop and online gallery come June 2.

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Articles

The Last Selfie

by Alicia Eler on May 26, 2014

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LOS ANGELES — It’s the end of selfies as we know it. Dearest selfie fanatics, this will be my last story for the Hyperallergic selfie column; after one year of chronicling the selfie’s rise to fame, we collectively decided to let this investigation go off into the netherlands of internet data trails.

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Post image for The Other LAPD: The Los Angeles Poverty Department on Skid Row

LOS ANGELES — The Los Angeles Poverty Department uses the acronym LAPD, which is deliberately named to evoke associations between police, the criminal justice system, and how people living in poverty are treated.

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Post image for The Decisive Vernacular Photograph

TULSA, Oklahoma — In the exhibition Unexpected at the Philbrook Museum Downtown, we see a series of 40 anonymous vernacular photographs from the collection of writer and photography collector Marc Boone Fitzerman, curated by the museum’s director Rand Suffolk, that offer slices of America’s forgotten narratives from the 1930s through the 1960s.

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Post image for Lesbian Noir with Hard-Boiled Wooden Puppets

LOS ANGELES — Last week, Automata mounted Concrete Folk Variations, a noir puppet play set in McCarthy-era Los Angeles that was written, directed, and designed by artist Susan Simpson.

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