The poet suggests his art’s highest calling isn’t truth-telling but stirring our empathic imagination.
The poems in Jean Day’s Late Human carry a sense of having arrived at a moment when nothing feels quite right.
Alana Hunt’s emphasis on everyday experiences, shared over a cup of tea, counters the normalization of state violence.
“The Van Gogh Sisters” sheds light on Vincent van Gogh’s place within the family, including a complex relationship with his sisters.
Curators and scholars have increasingly highlighted the importance of poetry to Mitchell’s art, though usually with so much circumspection that the link still remains obscure.
William E. Wallace excavates a lesser-known but crucial final chapter of the artist’s approximately 75-year career.
In Dorthe Nors’s minimalist fiction, other people are both an opportunity and a threat.
The poet talks to Hyperallergic about A Little Devil in America and the process behind his new music podcast, Object of Sound.
At the age of 44, Hokusai took on an amazing challenge: a giant portrait of the founder of Zen Buddhism.
Careful and yet compellingly fresh in its approach, Painting by Numbers offers a new kind of methods book.
“Before I Was a Critic I Was a Human Being” by Amy Fung is a collection of linked personal essays about language, displacement, and ownership — about being both an “outsider” and an “intruder.”
Ungaretti should be numbered among the ranks of such Great War poets as Wilfred Owen, Siegfried Sassoon, and Isaac Rosenberg.