This week, award-winning nature photography, reviewing Jared Kushner’s new book, Smithsonian NMAAHC hires a new digital curator, Damien Hirst plans to burn paintings, and more.
Art
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Philip Guston’s Haunted Testimonies
Guston became a witness to the 20th century’s darkest and foulest experiences without closing his eyes or turning away, and enabled us to see and reflect upon this brutality.
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Celebrating William Klein’s Long, Multi-Hyphenated Career
William Klein: YES, a career retrospective at the International Center of Photography, is good for aficionados and neophytes alike.
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Art as the Vehicle of Choice
Latinx and Indigenous artists use automobiles to amplify their cultural identity and challenge systems of erasure.
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Who Gets to Enjoy Green Spaces in NYC?
Artist Mona Chalabi’s site-specific installation at the entrance to the Brooklyn Museum foregrounds the importance of urban vegetation and its inequities.
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Uncovering the Queer Histories of Workers’ Movements
As bodily autonomy and workers’ rights remain under constant and often intertwined threat, The Work of Love, the Queer of Labor reminds us of what is still at stake.
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The Painter Who Directed Her Resolute Gaze at Herself
The emphasis in Semmel’s retrospective Skin in the Game is on the various points of view she has taken on herself — and, briefly, on others too.
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A Santa Fe Indian Market Milestone for Dallin Maybee
The artist and former SWAIA chief operating officer and executive director has found a stable of dedicated collectors and a close-knit community at Santa Fe Indian Market.
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A Navajo Artists Family’s Take on Love, Compassion, and Resistance
Works by the Abeyta family of artists encourage thinking beyond activism and legislation as a means for political progress.
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Ukrainian Women Artists Upend the Male-Centered War NarrativeÂ
Women at War exposes the struggles that women of Eastern Europe have been undergoing for the last 60 years, in addition to the annihilation of Ukrainian heritage.
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A Museum Sees its Collection Through a Queer Lens
Blurred Boundaries invites the viewer to recognize the ways in which queer art is not separate or other, but is actually always all around us.
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The Artist Who Painted the Struggles We Face
Francis De Erdely had an intuitive grasp of the inner worlds of people who were coping with a sense of displacement in their daily lives, which he conveyed in his art.