Robert Legorreta, also known as “Cyclona,” discusses the origins of his performance art and ongoing political activism.
Hans Hartung, No Matter What They Say
A caustic New York Times review from 1975 almost destroyed his career, but he remained one of the most influential artists of the 20th century.
Art Between Land and Self
How do we consider land-inspired art in an age when huge swaths of our shared world are being clear cut, mined, drilled, and desertified?
The Buddhist Monk Who Brought Mindfulness to the West
A documentary trilogy follows the life of Thich Nhat Hanh, who expounded the principles of engaged Buddhism.
After 25 Years, an Artist’s Home Reopens as an Art Gallery
Sea View, conceived by Jorge Pardo as both an artwork and a residence, embraced the dissolution of borders between disciplines.
Major Botticelli Show to Include Newly Attributed Works
The Legion of Honor in San Francisco says it’s the first exhibition dedicated to the Renaissance artist’s drawings.
Native Artist’s Work Enters the National Gallery Collection
“Untitled” (1961) by George Morrison is the first work by a Native American artist to join the museum’s Abstract Expressionist collection.
US Tourist Reportedly Vandalizes Jesus Statue in Jerusalem Church
“You can’t have idols; it’s in the second commandment,” he screamed before being arrested.
Pedro Reyes Explores Disarmament in DIRECT ACTION at SITE Santa Fe
The Mexican artist confronts gun violence and nuclear power through sculpture, print, performance, and video work.
Call for Applications: Inspiration Lab Artists-in-Residence at University of the Arts
Ten artists will receive studio space and access to faculty, staff, students, workshops, and programming at an arts institution in the heart of Philadelphia.
What Do New Yorkers Think of Anish Kapoor’s “Mini-Bean”?
Manhattan now has its own, downscaled version of the artist’s famous Chicago sculpture, oddly squished under a luxury condo tower.
Concerns Over Proposed Nine Mile Canyon Road Expansion
Increased oil tanker truck traffic would “seriously degrade” the experience of viewing the canyon’s Indigenous rock art, said one advocate of the site.