Shrabonti Bagchi writes about the “constructed” history of Chandigarh Chairs and how the South Asian designers are often erased, and Pierre Jeanneret gets all the credit: In 2018, the three design historians—Bengaluru-based designer and independent researcher Nia Thandapani, London-based Petra Seitz, who is working on a PhD at The Bartlett School of Architecture on the […]
Rebecca Frank Morgan’s poems critique sexism, objectification, and violence by depicting humans as robots.
Moving beyond the confines of abstract signs, Weiser seems to be seeking social and philosophical meaning.
Kim Van Do takes the full range of our vision, from left to right and sky to ground, to an extreme.
These alluringly physical objects provide an opportunity to explore the symbiotic relationship between sight and touch.
TATTOO: 1730s-1970s. Henk Schiffmacher’s Private Collection is strong on the presentation of images, but says very little about their meaning.
The Ohio rapper’s new album, Neon Shark, is a pop-punk gem.
Las Carpetas takes a crucial step in exposing the surveillance of activists. But are pictures of folders the most effective way to tell the stories of people impacted?
The ledger signed by the civil rights activist in 1963 fetched $130,000 at Hake’s Auctions.
Banhart’s first solo show in Los Angeles is at turns intimate and grandiose.
From March 1 to 21, watch online screenings hosted by the Smithsonian American Art Museum and attend weekly conversations with the artists and museum curators.
The documentary Wapping: The Workers’ Story recounts a pivotal moment in UK labor history.