This week, how queer sex lives have been reconfigured by the pandemic, dommes are convincing their subs to get vaccinated, carbon offsets are catching fire, and more.
Pylypchuk’s art has always been deeply engaged with the most painful parts of life, those that human beings tend to push aside or deny in order to get by.
Yuri Yuan’s sense of isolation is an inescapable feature of her daily life, which she simultaneously examines and holds at bay through the act of painting.
A persistent feature of Paul Graham’s photographs in Beyond Caring is the way they describe the act of waiting as a common, and alienating, condition of Britain’s welfare system.
Not all of the scenes Dianna Settles paints are pleasant, but that seems to be the point: for better or worse, we are undeniably yoked in our collective experience of being human.
Taylor’s paintings emphasize that golf and horse racing, though once exclusively activities for privileged white men, depended on the support of men who were almost invariably Black.
Beauty remains an uncomfortable territory for many contemporary artists, which makes the boldness of Sarah Ann Weber’s aesthetics all the more compelling.
Hosted at the historic Hollywood Roosevelt Hotel, the fair mostly focused on local LA galleries this year, and that’s a good thing.
The Hudson Yards developer Related Companies has persistently ignored demands to raise the height of the structure’s guard rails.
São Paulo’s Cinemateca Brasileira is the latest cultural organization threatened by preventable fires in Brazil.
A new tradition is emerging online, uniting Palestinians worldwide and drawing influence from the 20th-century motif.
Johnson’s winding works prompt as many questions as they provide answers, percolating with repetition, address, and alternates.