STAR CHOIR presents opera singers, an orchestra, and a story set in a galactic tomorrow that hold various skin tones and earthly ethnicities.
Manhattan’s Grace Exhibition Space marked the opening of its fall season with over-the-top performances curated by the adored anti-fascist comedian.
The artist-performer’s career undulates, ever so gracefully, across multiple mediums and registers of generational pain, healing laughter, and Indigenous joy.
Attending the artist CHOKRA’s performance introduced me to oud’s original purpose as a sacred healing tool that helps one recover from illness, mentally and physically.
At San Francisco’s Legion of Honor, Mobina Nouri took scissors to her own strands and invited others to do the same.
In their MLK Day performance inspired by LaToya Ruby Frazier’s photo series, Sister Tour explored the relationship between Black women and water.
A primal, glitter-fueled scream was unleashed with Cyclona, giving birth to generations of queer Chicano performers.
While The 90s Onstage looks back to a dynamic moment in Turkey’s performance art scene, Ata Doğruel’s “Light Source” reflects on the present.
Speaking and singing in Korean with English subtitles, the cast leans on the traditional Korean folk storytelling tradition of pansori, and more modern musical accompaniment.
In She Who Lives on the Road to War, Rosy Simas combines installation and performance to address the immense losses experienced during the COVID-19 pandemic.
MILK is an immersive, multisensory collaborative performance exploring a somber Greek tale of revenge.
The Terrestrial Trilogy shows how we can — and perhaps cannot — talk about pressing human and environmental emergencies.