In their MLK Day performance inspired by LaToya Ruby Frazier’s photo series, Sister Tour explored the relationship between Black women and water.
A primal, glitter-fueled scream was unleashed with Cyclona, giving birth to generations of queer Chicano performers.
While The 90s Onstage looks back to a dynamic moment in Turkey’s performance art scene, Ata Doğruel’s “Light Source” reflects on the present.
Speaking and singing in Korean with English subtitles, the cast leans on the traditional Korean folk storytelling tradition of pansori, and more modern musical accompaniment.
In She Who Lives on the Road to War, Rosy Simas combines installation and performance to address the immense losses experienced during the COVID-19 pandemic.
MILK is an immersive, multisensory collaborative performance exploring a somber Greek tale of revenge.
The Terrestrial Trilogy shows how we can — and perhaps cannot — talk about pressing human and environmental emergencies.
When supply chains and funding fall short, theatre does too.
African scholars Felwine Sarr and Dorcy Rugamba seek to answer this question with the musical theatre performance Freedom, I’ll have lived your dream until the very last day.
The art form continues to survive the return of in-person theatre, but maker-performers struggle with a lack of institutional support.
Traces — Speech to African Nations is a spoken word piece with music written by the acclaimed Senegalese scholar and performed by the Burkinabé actor Étienne Minoungou.
Nominated for the Pulitzer Prize, the hybrid film/theatrical production is a dense and irreverent look at the performance of queerness.