The Los Angeles County Museum of Art’s own Christine Y. Kim and Rita Gonzalez are co-curators at this year’s Gwangju Biennale, Asia’s oldest contemporary art biennial.
The historic Uffizi Gallery in Florence partnered with Indiana University informatics and art history students and faculty to undertake the five-year project.
Toledo’s Promenade Park will be transformed by dynamic interactive art projects, art exhibitions and performances, innovative music across a spectrum of genres, and a Mini Maker Faire.
Michaelina Wautier’s artistic talent was on par with that of her famous male contemporaries, like Rubens and Van Dyck. The first-ever retrospective of her work offers long overdue recognition.
Part I of two reports from the 2018 Spring Exhibitions and the March Meeting in Sharjah.
For his new zine, Travis Millard redrew his childhood sketchbook.
Ryoji Ikeda’s overwhelming sound and video installations, exhibited at Centre Pompidou, evoke the totalitarian grip that Big Data holds on our daily lives.
Commissioned by the Pulitzer as a part of the artist’s residency, We Are Never Never Other is a large-scale protest banner installed on the facade of the museum in St. Louis, MO.
Con Artist Collective promises to showcase work that combines the “tenuous space between fine art and the everyday.”
The dynamic conversation will explore the role of performance within artists’ respective sculptural practices.
You can approach each work in this show as individual, but the really charming and kinetic action happens in the interactions.
The oldest object on view documents an ugly reality, showing on brown paperboard one of the earliest known images of a slave in the US, accompanied by a bill of sale.