So one question I have not heard you answer is, do you believe that the previous interrogation techniques were immoral?
Hesidence masterfully balances information and aesthetic pleasure to produce a joy that should not be taken lightly.
By returning to the details of life embedded in bodies, objects, and the earth, the artists featured in Before the Fall at Neue Galerie conveyed the hope that the world might reassemble itself.
Linn has a knack for noticing the odd and unexpected in everyday life, and seems to have her camera with her at all times.
Windjammer, a movie following a half-year voyage across the Atlantic, used a brand-new extreme widescreen camera system that hoped to become a new industry standard.
The ways in which media has abstracted the violence in Gaza brought back to mind an experience I had with an editor in 2014, when I tried writing about the Oakland-Palestine Solidarity Mural.
An LED display loops a message in Lawrence Lek’s installation, which prompts the question “inside the game, can anybody tell the difference between art and the world?”
With less than a month before the FCC is due to repeal rules protecting the open internet, a measure to save it still needs to be approved by the House of Representatives and President Trump.
British photographer Chloe Dewe Mathews explored the Alps where Mary Shelley imagined Frankenstein, and the nuclear bunkers there that recall a modern dark side to scientific progress.
For Triste Tropique, Topographies of Sadness, Damien Rudd sought out the world’s glummest-sounding spaces.
At best, All Too Human shows well known artists at an intriguing new angle and revisits lesser known names, but at worst makes some perplexing curatorial choices which defy its own set of rules, stretching relevance through some optimistic inclusions.
One of the most ambitious muralist projects in Mexico City has been the victim of two major earthquakes. Now the building on which the murals are painted will be demolished.