The government’s usurpation of Salcedo’s Fragmentos installation has been viewed as the latest instance of “artwashing” by the Colombian Ministry of Culture.
Neel’s approach defied the conventions of both schlocky social realism and traditional portraiture.
In 2016 I noticed an image of tattooed skin affixed to a wooden plaque. Today I initiate court cases against the Ministry of Public Security.
Artist Debra Disman hosts an online workshop, “Bookmaking with Self-Compassion.”