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Raoul Peck’s Frustratingly Incomplete Treatise on Colonialism
For all its bluntness, Exterminate All the Brutes never once utters the words “rape” or “capitalism.”
After Pregnancy, an Artist’s Work Changes Course
“You turn inward because you’re focused on this new life that’s housed inside of you,” said Kimia Ferdowsi Kline.
Contending With Urgent Questions About Art and Feminisms in Buenos Aires
Cuando Cambia el Mundo (When the World Changes) invites audiences to deconstruct their own biases.
Terry Winters’s Allegiance to Science and Abstraction
Winters’s art is about decisions, choices, quality of attention, the shaping of one’s existence in time.
Yikui (Coy) Gu’s Tour of the US
There is nothing subtle about Gu’s work: it is in your face because the racism he encounters is always there.
Required Reading
This week, a drawing by Leonardo goes to auction, the art Napoleon stole, sites of POC history in the US, defining misogynoir, the tyranny of time, and more.
Sanya Kantarovsky’s Truth-Bearing Fantasy
Kantarovsky’s paintings unveil reality as a fabrication whose true form is instability and transience.
A Flawed Retrospective for a Surrealist Rebel
There is so much information handed to us in the exhibition, Eileen Agar: Angel of Anarchy that we risk forgetting what we might think if we came fresh to a painting.
Alex Caldiero, Outsider and Naysayer
Caldiero’s language experiments are rooted in the land and anchored in his body, at the junction between his brain and his larynx.
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