Philip A Hartigan

Post image for The Overlooked Elegance of Japanese Pattern Books

The major difference between this and other exhibitions of Japanese moku hanga (woodblock printing) is that the prints were all made as pattern and design books for the Japanese textile market.

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Post image for A View from the Easel

Artist studios from California, Maryland, Massachusetts, Michigan, and Mississippi.

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Post image for A View from the Easel

Artist studios in California, Illinois, Michigan, Pennsylvania, and Singapore.

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Post image for A View from the Easel

Artist studios in Sweden, Israel, New York, Rhode Island, and Ohio.

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Post image for Critical Americana in Chicago

CHICAGO — In a group show at Packer Schopf Gallery, three artists explore ideas or activities that are central to American identity: nature, political protest, and sports.

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Post image for A View from the Easel

Artist studios in South Carolina, Colorado, Georgia, Kentucky, and Illinois.

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Post image for Wandering Through the Refuse

CHICAGO — Judith Mullen’s new work consists of sculptures and paintings that look like detritus, like the sort of thing that accumulates in rivers or forest floors after heavy storms: swirls of leaves, bark, wood chips, pine needles, things discarded by humans, whipped together by wind and rain to float indolently on the wet and dry surfaces of the world.

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Post image for A View from the Easel

Artist studios in California, New York, Ontario, Oregon, and Pennsylvania.

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Post image for A View from the Easel

Artist studios in Pennsylvania, Florida, Illinois, and the Netherlands.

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Post image for Invoking the Absence at a Veterans Memorial

CHICAGO — At the eastern end of Diversey Avenue in Chicago stands an impressive classical-style rotunda, overlooking a short stretch of parkland that gives way to Lake Shore Drive and Lake Michigan.

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