As someone who has (allegedly) taken LSD in the galleries of the Metropolitan Museum of Art and watched the flowers in various paintings blossom right before my eyes, I recognize the visual illusions created by Rino Stefano Tagliafierro in “Beauty.” Let’s leave it at that.
Hrag Vartanian is editor-in-chief and co-founder of Hyperallergic. More by Hrag Vartanian
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This week, artist studios in London, Maine, Harlem, and Toronto.
Restaurants are restorative, perhaps, for those eating, but they can also be grueling places of labor that tax workers’ bodies.
Featuring two decades of interdisciplinary art along with new work created in response to the ongoing Women’s Rights Movement in Iran, the exhibition is on view in Hartford, Connecticut.
The texts in Chloe Aridjis’s new collection of stories and essays unspool not via chronological order, but through the strange rationality of dreams.
The moderate columnist complained about a $78 burger meal but failed to account for several alcoholic drinks he consumed.
International curators and experts discuss major exhibitions and the promise and dangers of artificial intelligence at these free online events.
A proposed plan to expand the train station and “revitalize” the Midtown area would evict hundreds of residents, activists say.
The marine mammal has emerged as a symbol of the capitalism-driven destruction of the planet, with protesters “orcanizing” for Climate Week actions.
With artists, conversations, workshops, an exhibition, a dinner, and karaoke party, the VLC Forum 2023 showcases global modes of collectivity.
Seven Egon Schiele works that belonged to Austrian-Jewish cabaret performer Fritz Grünbaum were handed back to his heirs.
Cast-bronze “tortillas” and miniatures painted using a handmade cat-hair brush shine in the LA edition of the fair where artists manage their own booths.
What a trip.
That’s a buttload of Bouguereau!
This is great! I couldn’t help myself from wanting to see a 2nd version with Terry Gilliam style animations.
I don’t agree with the end! Otherwise magnificent technique, very inspiring
Did you really feel the need for the whole “look at me, I (allegedly) dropped acid in the MoMA!” bit? Can you think of anyone who really gives two shits either way?
Hypnotic. Thank you.
Awesome – made me realise how much, and how little, is captured in paintings and photographs. One minute movement makes a whole lot of difference. Amazing!
Even the not creepy parts were creepy.