Art Review
The Lost Pearls of New York City
Alan Michelson's public art installation “The Oyster” on Governors Island conjures up the overlooked history of Indigenous shell middens.
Hrag Vartanian is editor-at-large, founding editor, and co-founder of Hyperallergic.
Art Review
Alan Michelson's public art installation “The Oyster” on Governors Island conjures up the overlooked history of Indigenous shell middens.
Feature
Precious Okoyomon’s new work transforms the concrete corner of the museum courtyard into a place of joy, exploration, and, dare I say, tranquility.
Review
The absurdist performance art event at Times Square felt more like an elegy during this national moment.
Opinion
A professor at the School of the Art Institute of Chicago asked her students to imagine a way to help someone they might encounter. Leadership found that beyond the pale.
Guide
A novel lampooning the art world, Megan O’Grady’s meditation on art and living, the man who defined color in the dictionary, Nan Goldin’s tender photo essay, and more.
Feature
Unmoored from the anchors of deep pockets that often hinder imagination, the artist brought her images of archival documents to an unusual venue in the Italian city.
Feature
The Venice Biennale’s international art exhibition is an unexpected symphony that asks us to ponder what may otherwise be overlooked.
Guide
Lynette Yiadom-Boakye captures quietude, Seydou Keïta documents a revolution, Renée Green compiles an autoethnography, and much more.
Guide
Here’s what to see and do at this year’s edition, including national pavilions, collateral exhibitions, and notable events.
Feature
Plus, the works we’re on the fence about in the massive MoMA PS1 survey.
Art Review
The survey, which happens every five years, rejects the out-of-towner’s glossy surfaces in favor of the view from inside.
Guide
Margaret Curtis’s deconstruction of American myth, quotidian objects by Marsden Hartley, and Wendy Red Star’s bead-inspired installation are among our picks.