A new year means new entrants into the public domain for the January 1, 2015, Public Domain Day. The Public Domain Review has rounded up the “Class of 2015,” featuring 11 of the most prominent creators whose work is set to go out of copyright, depending on a given country’s restrictions.
As the Public Domain Review explains:
Of the eleven featured, eight will be entering the public domain in countries with a “life plus 70 years” copyright term (e.g. most European Union members, Brazil, Israel, Nigeria, Russia, Turkey, etc.) and three in countries with a “life plus 50 years” copyright term (e.g. Canada, New Zealand, and many countries in Asia and Africa).
Notice this does not include the United States, where absolutely nothing is entering the public domain due to legislation that extended retroactive copyright by 95 years for works created between 1923 and 1977. This means nothing is set to go into the public domain here until 2019 (unless, of course, further legislation is enacted).
That immense wet blanket aside, the 2015 Public Domain Day features several significant artists whom we’ve listed below. The Public Domain Review’s charming “class photo” also includes James Bond author Ian Fleming, writer Flannery O’Connor, marine biologist Rachel Carson, and Futurist poet Filippo Tommaso Marinetti, while we’d add sculptor Aristide Maillol and Krazy Kat cartoonist George Herriman. It’s really as much a death class of 1944 as anything else, and understandably World War II looms large; Petit Prince creator Antoine de Saint-Exupéry vanished on an air mission that year, and composer Glenn Miller was lost while flying to France to play for the soldiers.
Norwegian Edvard Munch’s gloomy, anguished style resulted in one of the 20th century’s most iconic paintings: “The Scream,” the first version of which was completed in 1893. His loose strokes tinged with psychological torment were a huge influence on German Expressionism, and they still retain quite a hold today: a version of “The Scream” from 1895 went for $119.9 million at an auction in 2012.
Many of the artists from this era now entering the public domain represent the evolution of modernism, but perhaps none so influential as the Moscow-born Wassily Kandinsky. His motifs of shapes whirled into colorful collisions grew out of experimentation with many of the major movements of the 20th century, as he moved from post-Impressionism to Bauhaus, to his last decade of work in extreme abstraction.
Like Kandinsky, Dutch painter Piet Mondrian also started with figurative, naturalist art before reducing expression to pure shapes and calling it Neoplasticism. Part of the De Stijl movement, Mondrian embraced rhythms interpreted geometrically. World War II caused him to flee to New York, where he died in 1944 and is buried in Cypress Hills Cemetery in Queens beneath a simple tomb.
While not as well-known as the other artists on this list, German painter Felix Nussbaum expressed a strong vision in his often surreal work. When the Nazis came to power, the Jewish artist went into exile, creating haunting art that evoked the fear of living under their brutal control. Eventually his entire family was killed in the Holocaust, and Nussbaum himself died at Auschwitz in 1944 at the age of 39. A museum devoted to his work was completed in 1998 in his hometown of Osnabrück.
The small New York art fair celebrated its 26th edition with the works of 11 women artists.
The artist couple shared creativity and mutual devotion reflecting a period of light and joy that came after considerable darkness in their early lives.
Conversations with Leslie Barlow, Mary Griep, Alexa Horochowski, Joe Sinness, Melvin R. Smith, and Tetsuya Yamada will be accessible online or in person at the Minneapolis College of Art and Design.
The plot of Maureen Fazendeiro and Miguel Gomes’s film moves backward in time, continually recontextualizing what at first looks like a simple situation.
It’s art fair season and we’re here to comfort and entertain you during this difficult time of the year with a new, biting edition of our Bingo card series.
Now on view in Pasadena, this exhibition explores how four artists challenged the limitations of gestural abstraction by exploiting the resonance of figural forms.
The artifacts are estimated to date from 400 to 300 BCE, when Greek settlements existed along the northern shores of the Black Sea near Odesa.
Jeremy Webster of Leicester University’s Attenborough Arts Centre reportedly pelted the statue from behind a fence.
Northwestern’s Block Museum of Art Presents A Site of Struggle: American Art against Anti-Black Violence
This new exhibition in Evanston, Illinois considers how art has been used to protest, process, mourn, and memorialize anti-Black violence for more than a century.
Snapchat CEO Evan Spiegel and model Miranda Kerr paid off the student loans of 285 recent graduates.
Cammie Tipton-Amini’s opinion piece “When Ukraine Was Newly Independent and Everything Was Possible” employs simplistic whataboutism that dangerously echoes Putin’s lies.
Anthony Banua-Simon’s documentary Cane Fire contrasts decades of Hollywood images of his home with its current reality.