What have we done to deserve this? Today is a day that will forever be remembered as a plague on our social media feeds, a moment that ruptured our visual culture with a barrage of grainy images of people the world over visiting museums. At this moment of crisis we reflect on the vanity of sharing, the mental distress of discovering that most people take terrible photos, the tendency of mortals to stylize our foibles with crappy filters, the penetration of our august institutions by selfie sticks, and the sad fate of artworks that are being used and abused through no fault of their own.
It was once fun to take selfies in front of art, but no longer — the act has become meaningless, if it ever even had meaning. Even writer Brian Droitcour, who first popularized the term #artselfie in a piece for the DIS art collective’s publication, wrote a 140-character mea culpa in response to this monstrous turn of events. Your place in hell is most certainly guaranteed, Brian. Take a selfie when you get there!
We sit here helpless in front of our screens, numb to the barrage and unsure of its outcome. Pixels come and go, but these feel more intense, like they are burning themselves into our retinas — you cannot un-see them. Ever. No one is safe. Cats have been drafted into the chaos, so have rubber duckies, and even the Manchester United mascot. Pop culture vultures are picking over the carcass of our artistic heritage, and soon nothing will be left.
Over five hours ago, @mardixon of @MuseumSelfieDay, the official ringleader of this vast criminal enterprise, reported that the #MuseumSelfie hashtag had already received 43 million impressions and over 6,500 tweets from more than 3,700 accounts — and all this before most of the Americas awoke. What will become of this social media hippogriff that combines our venerable temples of art and the Ouroboros selfie cycle? Even Sylvester Stallone can’t save us in front of the Philadelphia Museum of Art. Taking photos with art may never be the same. I plead with you to resist the urge. #NoMuseumSelfie
Here are some of the day’s most remorseless criminals:
Фото опубликовано Алексей (@aavst)
One of our museum educators, Jaclyn, shares her #MuseumSelfie with the mammoth in the discovery room! #ABCulture #YEG #YYC #Alberta #Museums A photo posted by Royal Alberta Museum (@royal_alberta_museum) on
A photo posted by Research &Cultural Collections (@researchandculturalcollections) on
As much as I appreciate the collective’s culture jamming initiatives, I don’t know that their putative premise ever bears meaningful fruit.
The banana’s dominance and ubiquity has had serious and far-reaching implications for the region, engendering exploitative labor systems, climate change, and migration.
The first lecture is on the relationship between early portrait photography and diverse notions of US identity during the Gilded Age. Register to attend on January 25.
Charles Dellheim’s study tells the tale of a small group of Jewish art dealers and collectors who played a key role in the changing art world of the 19th and 20th centuries.
The 18-month fellowship aims to provide artists with “as much access as possible” to the club’s facilities and networks “at a time and place convenient to artists.”
Part of the university’s Artists on the Future series pairing renowned artists with cultural thought leaders, this online event is free and open to the public.
A coalition of investors raised funds to purchase the film’s storyboard and announced they would “make the book public.”
A new project, “Emoji to Scale,” orders every mini-object by their real-world dimensions.
Although Khedoori does not depict living beings, their presence is evoked in the traces they leave behind.
The Bronx Museum’s fifth biennial continues to focus its programming on individual identity, eliding the ever-divergent interests of the art market and local communities.
While it may be strange to think of food insecurity as a basis for art, the works in Food Justice reveal barriers and injustices in food access.