Our poetry editor, Joe Pan, has selected two poems by Jorge Sánchez for his series that brings original poetry to the screens of Hyperallergic readers.
* * *
Recollections of the Stork
Perhaps the daffy, gawkiness of him
is the engine that whirrs and allows flight?
His song a hyoshigi, den-den daiko,
kokiriko call. His house mikoshi
borne aloft. And atop that house, a phoenix.
The sun’s motion across the sky affects nothing,
the stork’s flight of constant length, the shadow
it casts on canoes, the time a father lives
or how long the water seems glassy,
stork legs in deep water, ahead of the boat.
In Western Michigan
Why call a river Grand when it is so
cold, skin roiling like a geyser, the birds
speaking a kind of French only Germans
understand? The drift is something like
a kingdom floating on the foam of day,
the hand of a friend seen so far ahead
in time as to be time gone, time before.
Here I might sit for all of time, the days
become hours, minutes becoming seconds,
a backyard or a bar you could never stand,
better than an enormous green sward
with a single space to make it important
(to me, at least) and a place that might hold
the light of some ceaseless sun, forever.
* * *
Cuban-American fiction writer, teacher, essayist, and poet Jorge Sánchez was born in Hialeah, Florida, and raised in Miami. He earned a BA from Loyola University, an MFA in creative writing from the University of Michigan, and an MA from the University of Chicago Divinity School. Sánchez teaches at Elgin Academy in Elgin, Illinois, and lives in Chicago with his wife and son.
The action could disrupt public access to the museum as workers campaign for higher wages and better labor conditions.
Over 500 scholars signed an open letter to reinstate the exhibition, which was postponed in consideration of the ongoing war in Ukraine.
This week, artist studios in the streets of Manhattan, a Texas high school, a Brooklyn apartment, and more.
Your list of must-see, fun, insightful, and very New York art events this month, including Ed Ruscha, Nina Katchadourian, Luis Camnitzer, Martha Edelheit, and more.
Join the New-York Historical Society on February 10 for a virtual conversation about our changing relationship to the natural world with Julie Decker, John Grade, and LaMont Hamilton.
Asawa’s life masks do not keep count of past or future losses.
At San Francisco’s Legion of Honor, Mobina Nouri took scissors to her own strands and invited others to do the same.
Amid a worsening inflation crisis, Sergio Guillermo Diaz’s banknote artworks are a poignant symbol of Argentinian resilience.
Theatres of Melancholy: The Neo-Romantics in Paris and Beyond highlights a group of artists who found acclaim and patronage only to fall back into obscurity.
Presented by Northwestern’s Block Museum and McCormick School of Engineering, this new exhibition seeks empathy at the boundaries of life. On view in Evanston, Illinois.
Jean Renoir’s newly restored 1939 classic proves that lawless wealth — then as now — makes a marvelous farce of us all.
Hamburg’s Antisemitism Commissioner disparaged photographer Adam Broomberg for his support of the BDS movement.