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“We are going back to the old coloring of the glass that has the film on there that was done for blast protection several years ago,” he said…“Basically the UN will look exactly as it did when the ribbon was originally cut,” said Adlerstein.
The U.S. National Archives has digitized over 6,000 images from the seriesMathew Brady Photographs of Civil War-Era Personalities and Scenes (National Archives’s Local Identifier 111-B) and included them in our online catalog. We plan to upload all of the ones available in the online catalog to Flickr gradually over a few months.
Also available are 220 images by Ansel Adams.
But those responsible for safeguarding art will soon have a new category of anxiety, the stuff of real nightmares: the possibility that airline employees could open carefully crated works of art to search them the way checked baggage is sometimes searched now, poking around Picassos instead of sweaters and socks.
I gotta admit, that as much as I relish El Saltzino’s ranting in the same trashy way I love domestic beer and a good diving elbow drop, it’s kinda weird that this story didn’t include a single critical reaction — or reactions from people mentioned in the story (um, like Klaus Biesenbach or Tyler Green). And it doesn’t even mention John Yau. A real missed opportunity for some interesting reading.
- der Freitag (Berlin, Germany, circulation 12,400),
- Frankfurter Allgemeine Sonntagszeitung (Germany, circulation: 347,000), and
- The New York Times (New York City; circulation: 800,000).
An SFMOMA exhibition raises questions about what it means when museum board members have ties to politicians who support border wall policies.
The exhibition at the Jewish Museum delves into “degenerate” art and art made under duress as part of a thought-provoking yet diffuse exhibition.
In Philadelphia, a series of solo shows delves into the interdisciplinary practices of graduates whose work explores identity, familial bonds, political constructs, and nature’s fragility.
Despite his work’s apparent abstraction, Sheroanawe Hakihiiwe insists that “I don’t invent anything, everything I do is my jungle and what is there.”
David Uzochukwu, Kennedi Carter, and Kiki Xue are among the 35 artists whose work will be displayed online and at the festival in Milan, Italy.
On November 14, join Columbia University School of the Arts for virtual information sessions with the program chair, faculty, and staff.
No Vacancy, curated by Jody Graf, will be on view from October 26 through November 8 at the school’s Kellen Gallery in New York City.
To do so before they have returned the Maqdala treasures and the Benin Bronzes and the Easter Island statues and the Maori heads, before a coherent set of precepts for decolonization has been articulated, would affirm the wrong principle.
“Everybody in Mesopotamia, as far as I understand it, believed in ghosts,” said Irving Finkel, a curator of the British Museum’s Middle Eastern department.