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High in the White Mountains of California are trees over 5,000 years old. With their jagged trunks and tufts of green, the bristlecone pines live in a deeper time than us. Since 1999, photographer Beth Moon has traveled the world to document a global grove of arboreal elders, and her new book, Ancient Skies, Ancient Trees, contrasts their weathered silhouettes with long exposures of the stars.
“The long exposures used to make these photographs emphasize the passage of time and evoke the age of the trees, which is certainly considerable — although, compared to the age of the stars above, it is not even a blink of an eye,” Moon writes in the book, out this month from Abbeville Press. It follows her 2014 Ancient Trees, which featured platinum prints, with 50 vivid digital photographs of sequoias in California, oaks in England, and junipers in Utah. Some of the images fold out into large panoramas, and each tree is given the name of a constellation, like Atlas, Lyra, and Orion.
Similar to Rachel Sussman’s journey to track down the oldest living things in the world, Moon’s exploration took her to some of our planet’s most remote corners. From quiver trees in the isolated deserts of Namibia to baobabs in the dry landscapes of Botswana, each portrait is a study against a night sky. Their solitary feeling reflects both their locations and their timeworn growth beneath the glow of the Milky Way.
Jackson’s exhibition The Land Claim began an extensive dialogue with local Indigenous, Black, and Latinx families on Long Island’s East End.
There is not a hint of psychological trauma in Astrup’s art, despite the parallels in his own experience to that of his countryman Edvard Munch.
The Greenberg Steinhauser Forum in American Portraiture Conversation Series continues with presentations on Hung Liu, African Methodist Episcopal aesthetics, and the Oak Flat conflict.
Inspired by her foremothers’ recycling of materials, Jan Wade creates altarpieces, shrines, and memory jugs out of found objects.
This retrospective of the work from a São Paulo photo club is a reminder that Modernism was not solely a European phenomenon.
After students around the world responded to online classes by the historic art school, the League launched e-telier™ to elevate its digital learning experience.