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From haute couture gowns to handcrafted accessories and brash streetwear, the 67 designers and artists featured in Native Fashion Now have, over the last 50 years, reinterpreted and reinvigorated traditional materials, styles, and modes of making practiced for generations by the indigenous peoples of the US and Canada.
Highlights of this traveling exhibition, which debuted at the Peabody Essex Museum in late 2015, include a dazzling cape and aviary headdress by Margaret Roach Wheeler (Chickasaw), spectacularly beaded Louboutin boots by Jamie Okuma (Luiseño and Shoshone-Bannock), and a feathery, fiery, desert-inspired ensemble by Orlando Dugi (Diné [Navajo]). As a corrective to the typical presentation of native clothes and dressmaking as static artifacts and activities fit for anthropological study, this exhibition chronicles how time-worn practices have been hybridized and adapted while still retaining links to centuries-old traditions and sacred places.
When: Opens Thursday, February 16, 6pm; continues through September 4
Where: National Museum of the American Indian (One Bowling Green, Financial District, Manhattan)
More info here.
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Lawson’s images, and the ways that she has discussed her process, seem to be actively reproducing the kind of big-dick energy power dynamics of White male artists who also claim mastery over their subject matter.
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Romanticism to Ruin: Two Lost Works of Sullivan and Wright memorializes Chicago’s Garrick Theatre and Buffalo’s Larkin Building, which were razed to build a parking lot and a truck stop.