Dark Matter continues at Auckland Art Gallery Toi o Tāmaki (Corner Kitchener and Wellesley Streets, Auckland, New Zealand) through April 17.
Claire Voon is a former staff writer for Hyperallergic. Originally from Singapore, she grew up near Washington, D.C. and is now based in Chicago. Her work has also appeared in New York Magazine, VICE,... More by Claire Voon
The male-dominated art establishment has always used Pablo Picasso’s “genius” to marginalize women. On the 50th anniversary of his death, this is the only show to challenge that.
The LA-based trans fem nonbinary artist shares insights on transition, intimacy, and being vulnerable.
Featuring projects by 30 graduate students, this multidisciplinary exhibition is on view at the Manetti Shrem Museum through June 25.
Dori Nigro and Paulo Pinto’s work discusses the Centro Hospitalar Conde de Ferreira, funded in part by the trafficking of enslaved people from Angola to Brazil.
Ahead of the exhibition, Hyperallergic spoke to the artist about his images of jazz musicians and everyday Black individuals in moments of closeness and stillness.
Funding MFAs and other full-time graduate degrees, the Paul & Daisy Soros Fellowships for New Americans supports immigrants and the children of immigrants in the US.
Scholars and artists accuse Hunter College and the School of Visual Arts of “craven hypocrisy” for firing Rodriguez as she faced vicious right-wing media attacks.
This week, America’s toxic love for Tina Turner, the hype over UFOs, real-life “Mexico filter” in New York, and more.
Kelly Grovier discusses his book on the history of pigments in a new podcast episode, making the case for how myths and science can enrich how we experience art.
The stone object “materializes the symbolic association between violence, weapons, and masculinity,” said the lead archaeologist.
The house filled with frescoes is reportedly “underwater” after a dam breach in the Russian-occupied Kherson region.
