Support Hyperallergic’s independent arts journalism.
Sunken Cities: Egypt’s Lost Worlds is a spectacularly beautiful opportunity to indulge your inner Indiana Jones. Part archaeological expedition, part adventure story, the exhibition opened this week at the St. Louis Art Museum (SLAM) in Missouri. The ancient artifacts on display were discovered under the sea during recent excavations by Franck Goddio, president of the European Institute for Underwater Archaeology, and his team. This is the North American debut of Sunken Cities, which has also been shown at the British Museum in London, the Institut du Monde Arabe in Paris, and the Museum Rietberg in Zurich.
Lisa Çakmak, Associate Curator of Ancient Art for the collection, studied both classical art and archaeology, and was deeply moved by the exhibition after seeing it at the British Museum. At SLAM, the exhibition includes over 200 artifacts from the cities of Canopus and Thonis-Heracleion, both of which were long believed to be lost to time: 16-foot statues of pharaohs and goddesses like Hapy, jewelry, bronze vessels, and statuesque homages to the god Osiris, all salvaged from just ten meters below the sea. There, they were covered by a layer of silt that obscured them from sight, but protected their integrity. Though Thonis-Heracleion’s history dates as far back as 12th century BCE, lavish jewels and gold coins from the area maintain an otherworldly glow.
The black stele that originally demystified the names Thonis and Heracleion is on display, still intact and scrawled with dense lettering. (There are three other steles to check out, including a greywacke, tombstone-shaped piece dedicated to Horus.) The cities were once thought to be separate, despite their similar descriptions in ancient Egyptian and Greek literature. But in 2000, after surveying the Abu Qir Bay off the coast of Egypt for nearly five years, Goddio and his team discovered Canopus and Thonis-Heracleion; the stele revealed that Thonis was the port city’s Egyptian name, and Heracleion its Greek moniker.
Located about 20 miles northeast of Alexandria and built on adjoining islands in the Nile Delta, Thonis-Heracleion was just a short distance from Canopus, another coastal town. The city was a massive trading hub, wealthy and well-traversed, and Sunken Cities recalls its opulence: a thick ring from the Ptolemaic period, its band a twist of thick coils; beast-shaped earrings; serving dishes made of gold. It was also a center for religious pilgrimages, with sanctuaries dedicated to the healing arts and, specifically, Osiris. During a yearly festival, called the Mysteries of Osiris, a ceremonial boat was led from the temple of Amun to a shrine in Canopus.
Though this barge will not be on view at SLAM, Osiris is everywhere, with over 30 objects depicting him in various ephemera — an amulet, a vase, a statuette held in the goddess Isis’s arms, a basalt structure shaped like his death bed. For those of us who associate ancient Egyptian literature rather immediately with Isis and Osiris, Sunken Cities, with its treasures from a city quite dedicated to the latter’s existence, will inspire a sense of mysticism, and still more mystery. Goddio estimates that his team has found only five percent of Canopus and Thonis-Heracleion. This knowledge — that there’s so much we still haven’t seen — may be as tantalizing as any of the objects on display.
Sunken Cities: Egypt’s Lost Worlds is on view at the Saint Louis Art Museum (1 Fine Arts Drive, St. Louis, Missouri) until September 9.
The art world has paid attention to other artists from the same era, but we have not done the same with Sonia Gechtoff, and it is time that we did.
Wifredo Lam developed a style that dances between figuration and abstraction, but the selected compositions at Pace gallery tend to repeat.
These multimedia works debuting on Voice include a “Death Mechanism” and allow fans to collect the artist’s origin story, told specifically for the metaverse.
These four artists dig into the cultural and geologic history of the enclave of Staten Island to produce work that resonates with the core of bell hooks’s commendation to love.
As acceptance of digital art grows, there is also a need to validate quality and recognize artists who explore radical ideas and achieve creative breakthroughs.
On December 13, learn about the Sam Fox School’s graduate programs in Visual Art and Illustration & Visual Culture, as well as the university’s competitive financial aid packages.
Anthology Film Archives’ complete retrospective of the influential Canadian experimental filmmaker includes many exceptionally rare titles.
Breuer’s Bohemia is centered around the life and work of Marcel Breuer, but touches upon an entire cohort of Modernist influencers.
Located in a historic industrial manufacturing facility in Utica, New York, this sculpture-centric program is accepting applications through January 15, 2022.
A conversation with Richard Kraft about his artist book in which he created penalty flags for nearly 10,000 of Trump’s misdeeds
The guidelines are specifically meant to combat a form of online harassment known as doxing.
Your list of must-see, fun, insightful, and very New York art events this month.