Sculptor Robert Davidson was awarded $3,554,946.95 in royalties plus interest by US Court of Federal Claims over the US Postal Service’s illegal use of an image of his work. The copyright infringement lawsuit focuses on the image of Lady Liberty that the USPS believed was of the original monument in New York harbor but it was in reality an image of sculptor Robert Davidson’s kitschy Statue of Liberty replica at Las Vegas’s New York New York hotel.
USPS attorneys argued the artist’s design was too similar to the original for him to claim copyright, but the court filing explains that Davidson feels his version of the famous statue is “more contemporary.”
Explaining in the court documents his process for sculpting the Vegas sculpture, Davidson said:
Well, I felt since this was going to be for a new hotel in Las Vegas, I felt it just needed to be a little more appropriate for the hotel. I knew that the facade of the hotel would look similar to the skyline of New York, but it wouldn’t duplicate it. Everything is out of proportion. … It was just a feel. And I just thought that this needed a little more modern, a little more contemporary face, definitely more feminine, just something that I thought was more appropriate for Las Vegas.
Davidson is also responsible for the “Joan of Arc at the Paris Hotel in Las Vegas and a Mount Rushmore-styled sculpture featuring Dudley Do-Right characters at Universal Studios in Orlando, Florida,” according to the court document.
The USPS sold 4.9 billion of the Lady Liberty stamps, amounting to just over $2.1 billion in sales, and $70,969,419 million in profit. The USPS had paid Getty Image $1,500 to license the image.
A total of 24 board members stepped down from their posts after the art center’s parent company allegedly attempted to terminate 12 of their colleagues.
A group of artists and writers denounced the center for hosting Philippines President Ferdinand Marcos Jr., son of the country’s former dictator.
This new kunsthaus in Potsdam shows modern and contemporary works of art from East Germany in what was once a terrace restaurant.
Xenobia Bailey, Jeffrey Gan, Elizabeth G. Greenlee and N.E. Brown, Siera Hyte, Maru López, and Olivia Quintanilla will contribute to a Hyperallergic Special Issue on underrepresented craft histories in 2023.
An investigation by Forensic Architecture and Al-Haq into the killing of Shireen Abu Akleh looked at previously unseen footage and unpublished autopsy reports, among other evidence.
The Philadelphia organization offers artists on-site access to recovered materials, studio space, construction equipment, a $1,000 stipend, and more.
This week, a Keith Haring drawing from his bedroom, reflecting on Theresa Hak Kyung Cha, you’re not descended from Vikings, the death of cursive, and more
Eros Rising at New York’s Institute for Studies on Latin American Art demonstrates that eroticism might be closer to the cosmic than to the terrestrial in its infinite manifestations.
Drawn to Life at the Ackland in Chapel Hill, North Carolina, showcases 17th-century Dutch drawings of landscapes, portraits, preparatory studies, and biblical and historical scenes.
I was curious to see Casteel’s first exhibition since her New Museum show. I was not disappointed.
Stephanie Syjuco’s exhibition Double Vision points to the role that museums play in perpetuating narratives about the people, places, and events of the American West.
This is what happens when boozed-up patrons party next to priceless mosaics, statues, and vases.