Whether it’s a physical workspace, a computer screen, or a place in nature, we’d love to hear about how you’re redefining what a studio can be. If you wish to be considered for inclusion in the A View From the Easel series, please send the following information to aviewfromtheeasel [at] hyperallergic [dot] com:
a) A clear photo (2,400 pixels wide) of your workspace, not showing a particular work too prominently, but mainly your work area. Wide-angle photographs are often ideal to show the whole workspace.
b) A paragraph describing what we see in the photograph and how it relates to your daily process. Text should not be more than 200 words.
c) Your website URL, social media handles, and the city and state where your studio is located.
No need to mention shows or promote yourself — there will be a link to your website for that, plus the fact that each article is seen instantly by thousands of people!
Views are posted periodically, and you will be notified by email as soon as your View is published.
You can view past A View From the Easel posts here.
A total of 24 board members stepped down from their posts after the art center’s parent company allegedly attempted to terminate 12 of their colleagues.
A group of artists and writers denounced the center for hosting Philippines President Ferdinand Marcos Jr., son of the country’s former dictator.
This new kunsthaus in Potsdam shows modern and contemporary works of art from East Germany in what was once a terrace restaurant.
Xenobia Bailey, Jeffrey Gan, Elizabeth G. Greenlee and N.E. Brown, Siera Hyte, Maru López, and Olivia Quintanilla will contribute to a Hyperallergic Special Issue on underrepresented craft histories in 2023.
An investigation by Forensic Architecture and Al-Haq into the killing of Shireen Abu Akleh looked at previously unseen footage and unpublished autopsy reports, among other evidence.
The Philadelphia organization offers artists on-site access to recovered materials, studio space, construction equipment, a $1,000 stipend, and more.
This week, a Keith Haring drawing from his bedroom, reflecting on Theresa Hak Kyung Cha, you’re not descended from Vikings, the death of cursive, and more
Eros Rising at New York’s Institute for Studies on Latin American Art demonstrates that eroticism might be closer to the cosmic than to the terrestrial in its infinite manifestations.
Drawn to Life at the Ackland in Chapel Hill, North Carolina, showcases 17th-century Dutch drawings of landscapes, portraits, preparatory studies, and biblical and historical scenes.
I was curious to see Casteel’s first exhibition since her New Museum show. I was not disappointed.
Stephanie Syjuco’s exhibition Double Vision points to the role that museums play in perpetuating narratives about the people, places, and events of the American West.
This is what happens when boozed-up patrons party next to priceless mosaics, statues, and vases.