The death of FilmStruck late last year was a grim development for cinephiles, who’d quickly come to love the young site as a go-to source of classic, international, and arthouse films. Ahead of the closure, the Criterion Collection, which had partnered with FilmStruck, announced that it would be launching its own dedicated streaming channel this year. Heartening news, to be sure, but Criterion is a boutique label that is purposefully selective about what it distributes. There are thousands of independent and art films in need of some kind of push, and the major streaming sites like Netflix and Hulu are increasingly foregoing licensing in favor of producing their own content. These films may be made available on services like Amazon and iTunes, but it’s all too easy for them to get lost in the crowd there. A viable, dedicated platform for these films is needed.
Enter OVID, a recently announced partnership between academic documentary service Docuseek and six independent film distribution companies. Together, these partners — Bullfrog Films, Distrib Films US, Grasshopper Film, Icarus Films, KimStim, and First Run Features — control the rights to thousands of different documentary, arthouse, independent, and international titles. OVID will be an on-demand subscription service offering selections from these various catalogues.
OVID is planned to launch in March, at which point its slate will consist of hundreds of documentary titles. Fiction titles will be added in the summer, and further curated selections will be made available on a monthly basis. The site stresses that many of these films will be unavailable to see anywhere else. It promises to feature filmmakers Chantal Akerman, Chris Marker, Bill Morrison, Jean Rouch, Wang Bing, Bi Gan, Pedro Costa, Claire Denis, Bruno Dumont, Cheryl Dunye, Eric Rohmer, Raul Ruiz, and Jean-Marie Straub and Danièle Huillet.
Icarus Films president Jonathan Miller is set to act as director for the site. In a statement to Hyperallergic, he said: “We would like OVID to become the destination site for anyone interested in the films that all the other players, once they get big enough, are no longer showing much interest in: social issue and political documentary films from the US and around the world, and quality art, independent, and foreign-language fiction. Other smaller companies are trying to launch their own platforms, but we think a platform that brings together a diverse group of established, experienced companies will have a good (if not better) chance of success.”
Hopefully this gambit pays off, and a viable new channel for cinematic voices outside the mainstream can develop, or even thrive.
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They need to get Criterion on board.
Odd – there’s no mention of Kanopy [https://www.kanopy.com/]. It’s a streaming service that provides TONS of classics, art-house films, documentaries, course studies, etc. The catch is you need to have a library card (and number) from a participating public library OR a university student card from a participating school. BUT their backlog is pretty incredible. And if your local library is NOT a member, you can try to get it to join.
Always nice to see Rouch, Rohmer, Marker, et al., but it doesn’t sound like this service’s selection goes back much further than the fifties or includes classic art films from major studies (Hitchcock, Fellini, Bergman). It fills a niche, but it doesn’t fill the void.
Be nice to see one of these services add the video art library of either Electtonic Arts Intermix (NYC) or the Video Data Bank (Chicago Art Institute).
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