All the Beauty and the Bloodshed forcefully posits multiple parallels between the world Nan Goldin grew up in and the one she fights in today.
Tsai’s style is the opposite of boring; in demanding the viewer’s attention, he allows for incredible moments of human connection and discovery.
Though not well known outside of Japan, Tsuchimoto honed an observational style of filmmaking similar to the cinema verité movement in the US and Europe, but years earlier.
With his latest film, Jafar Panahi suggests that cinema might be a great art worth fighting for, but it may not be able to save anyone.
The Computer Accent follows the pop-dance band YACHT as they use AI to help compose their 2019 album Chain Tripping.
Chinatown’s venerated Downtown Community Television Center is celebrating its 50th anniversary with a state-of-the-art cinema and community hub.
Turning an “unfilmable” book into a film is one thing; making it good is another.
Patricio Guzmán combines reflection on the past, observation of the present, and hope for the future into an expansive vision of all the ideas he’s explored in his work.
With Moonage Daydream, director Brett Morgen sought to let Bowie’s music and philosophy hit in a whole new way, immersing audiences in an IMAX experience.
Courtney Stephens’s documentary on women’s travels from the 1920s to ’50s presents not just personal glimpses into daily life a century ago but also documents of colonialism.
From her personal writings, along with fragments of her work and recollections of friends and family, Loving Highsmith constructs a view of the author that is more intimate than most.
The exhibition Porno Chic to Sex Positivity at the Museum of Sex traces how once-verboten depictions of sex became gradually acceptable in pop culture.