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In 2002, artist Lisa Ross found herself in China. She decided to venture to the far western regions of the country, which she heard were home to a predominantly Uyghur population. She would return numerous times after that to document many aspect of a community that was about to change forever.
Her photos are haunting, since they represent a world that is no longer there, as the Chinese authorities are imposing strict assimilationist policies on the local populations. It is believed that over a million Uyghurs and other Muslim populations have been forced into “re-education camps” that have been built in the last few years. A number of Ross’s contacts in the region have been disappeared and detained in such camps.
I invited Ross, and her collaborator Anthony Varalli, to our studio to tell us about her experience in this land that sees few foreigners and where international reporters rarely ever visit.
Some of Ross’s work in the Uyghur homeland is currently on view in New York’s Miyako Yoshinaga gallery. Titled I Can’t Sleep: Homage to a Uyghur Homeland, the exhibition continues until March 16.
The music for this episode is “People are Glorious” by renowned musician Sanubar Tursun, who worked with Lisa Ross. Tursun was arrested by the Chinese authorities in December of last year. Her album, Arzu (Songs of the Uyghurs), is available on iTunes, and her music is also part of the album Music of Central Asia, Vol. 10: Borderlands, which you can find on iTunes and other music portholes.
Every utopia is a social experiment, the artist suggests in this commission for the Performa performance art biennial, and we’re ultimately the guinea pigs.
“You can’t live in a house that’s built upon your back.” This is one of the more memorable phrases spoken by the scripted lovers of Tschabalala Self’s Sounding Board, what Performa describes in its promotional materials as an “experimental play.” That phrase, uttered by one romantic partner to the other, operates as guidance, warning, dictate,…
The show, which honors the 50th anniversary of an exhibition history once ignored, continues a series of projects documenting Wilmington’s contemporary art scene.
A commitment to trans subjects, and their queer communities, is manifested as a holding environment made approachable by our concern, grounded in intimacy and legacy, enfolding any viewer who will stop, listen, and receive love.
Todd Chandler’s documentary Bulletproof looks at the many people monetizing the societal rot of school shootings.
Two K-12 art teachers will each receive a $1,000 cash gift and an additional $500 to put toward classroom art supplies. Nominations are due October 31.
The artists released the risograph-printed booklet series Organizing Power to assist in the arduous process of assembling a bargaining unit and negotiating.
From 1963 through 1968, Warhol produced nearly 650 films, including hundreds of Screen Tests and dozens of full-length movies.
Melvin Edwards, Maren Hassinger, and Alison Saar are among the artists kicking off the Destination Crenshaw initiative.