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Joan Kee is the rare combination of art historian and lawyer, and she’s shared her skills in her new book, Models of Integrity: Art and Law in Post-Sixties America, which examines the legal issues major contemporary artists (from Tehching Hsieh to Felix Gonzales-Torres) have confronted in the past 60 years.
Kee’s research shows that since the 1960s, as artist projects have become more expansive and expensive, the world of lawyers and laws is becoming a bigger part of the equation. From discussions of Christo and Jeanne-Claude‘s “Running Fence” land art project (they actually had offers to place the project elsewhere, which would’ve been a lot easier) to Gordon Matta-Clark’s Fake Estates micro-real estate project (there is no evidence the artist wanted to present this as an artwork), Kee’s research demonstrates that the history of art has increasingly been intertwined with its legal realities.
The University of Virginia researchers wrote that the data “provides compelling evidence that these symbols are associated with hate.”
We are waiting for spectacle and when the quotidian, yet incongruous actions occur I wonder whether there is any real payoff coming.
Hear from Holly Jean Buck, Carolina Caycedo and David de Rozas, Simon Denny, Elizabeth Hoover, Renee Kemp-Rotan, Joseph Kunkel, and more at this free public event.
Tanega’s approach to mark-making comes across as stream of consciousness, as if she’s engaged in a conversation with herself.
Starting Monday, readers can borrow one of 50 rare and out-of-print titles, mailed to them completely free of charge, from Saint Heron Library.
EFA Open Studios offers a portal into the creative habitats of over 65 artists working in Manhattan’s longest-running studio program, including Dannielle Tegeder, Wafaa Bilal, Cui Fei, and Anina Major.
This is Yuskavage’s great gift, turning upside down our settled ways of thinking and seeing and, with ease, transforming the vulgar and ridiculous into the sublime.
51 international publishers and galleries showcase their latest editions in prints and artists’ books at this free public fair, which is fully online this year.
While hardly about the pandemic, or any of the other crises so afflicting us, all are invoked in this exhibition, which is also often tender and profoundly soulful.
These glowing, dynamic artworks reproduce something of Bosch’s chaotic energy, but on an immersive, multi-sensory scale.
This week, addressing a transphobic comedy special on Netflix, the story behind KKK hoods, cultural identity fraud, an anti-Semitic take on modern art, and more.