Joan Kee is the rare combination of art historian and lawyer, and she’s shared her skills in her new book, Models of Integrity: Art and Law in Post-Sixties America, which examines the legal issues major contemporary artists (from Tehching Hsieh to Felix Gonzales-Torres) have confronted in the past 60 years.
Kee’s research shows that since the 1960s, as artist projects have become more expansive and expensive, the world of lawyers and laws is becoming a bigger part of the equation. From discussions of Christo and Jeanne-Claude‘s “Running Fence” land art project (they actually had offers to place the project elsewhere, which would’ve been a lot easier) to Gordon Matta-Clark’s Fake Estates micro-real estate project (there is no evidence the artist wanted to present this as an artwork), Kee’s research demonstrates that the history of art has increasingly been intertwined with its legal realities.
We are fighting for ourselves and the working standards we deserve, but we are also fighting for the heart and future of the institution.
The 65-year-old man was reportedly angry that he was not granted a meeting with the Pope.
Inspired by the creation story of DeFeo’s monumental artwork “The Rose,” Lyn’s musical piece debuts at the New York City venue this October.
This week: New York’s disappearing alleys, Wolfgang Tillmans’s fading star, Velma Dinkley is gay, and more.
The technology isn’t available for public use, but Meta (formerly Facebook) released a series of eerie sample clips based on prompts like “cat watching TV” and “spaceship landing.”
This free online event celebrates Sánchez, the recipient of the Artists’ Legacy Foundation’s 2022 Artist Award, and his decades-long multimedia practice rooted in activism.
There’s high demand in the country for the nostalgia-soaked Instagram videos of sister duo Zainab and Sakina Sabunwala.
Gustav Klimt: Gold in Motion transforms a historic bank in Manhattan into the unlikely setting of an immersive art experience one visitor called “mesmerizing.”
Fall shows at the Chicago art space explore how same-sex desire became the basis for a new identity category and celebrate the cosmic work of an acclaimed Chicago-based artist.
Masterworks of American Landscape Painting at the Center for Figurative Painting makes clear that the term “landscape” has been widely interpreted.
The artist’s work quietly asks: How do we read and write the world we live in?
Warsaw Gallery Weekend and Fringe Warszawa hope to offer long-term solutions for a thriving art scene in Warsaw when skyrocketing inflation and a lack of affordable studio spaces have become the new norm.