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There’s no point in sugarcoating it — things are bad and they’re about to get worse before they get any better. COVID-19 virus has brought the world to a halt, shuttering all art and cultural institutions in affected countries, and putting millions worldwide in quarantine, self-imposed or not. Meanwhile, if you’re feeling hungry for art while you’re stranded at home, you might be pleased to know that 2,500 world-class museums and galleries are now offering virtual tours and online collections on Google’s Arts & Culture pages. (And for opera fans, the Metropolitan Opera in New York City is streaming concerts for free.)
Google Arts & Culture’s collection includes many of the world’s biggest museums: Tate Modern and the British Museum in London, the Van Gogh Museum and the Rijksmuseum in Amsterdam, and the Museum of Modern Art and the Whitney Museum in NYC, among hundreds of others. In most, you can browse through entire exhibitions online, and in many, you can also walk through the museum using Google’s street view.
Here are 12 museums that you can visit virtually right now:
Guggenheim Museum, New York
See online exhibitions like But a Storm Is Blowing From Paradise: Contemporary Art of the Middle East and North Africa and The Little-Known Glass Works of Josef Albers here and virtually tour the building here (you’d save yourself $25).
British Museum, London
Tour the museum’s Great Court and discover the ancient Rosetta Stone here.
Musée d’Orsay, Paris
Get a close look at the works of Monet, Cézanne, Gauguin, and hundreds of other French painters here.
Walk among Vermeer, Rembrandt, and many more masters from the Dutch Golden Age here.
Pergamon Museum, Berlin
The Pergamon is one of Germany’s largest museums and it’s home for the Ishtar Gate of Babylon and the Greek Pergamon Altar. Visit it here.
National Museum of Modern and Contemporary Art, Seoul
Catch up on the best of contemporary art from Korea here.
National Gallery of Art, Washington, DC
Explore an exhibition of American fashion from 1740 to 1895 and a collection of Vermeer paintings here.
Van Gogh Museum, Amsterdam
Here is where you can find the largest collection of artworks by van Gogh, including more than 200 paintings, 500 drawings, and over 750 personal letters.
The Louvre doesn’t need Google to create online tours for itself. It has its own virtual tours, thank you very much.
MASP, São Paulo
The Museu de Arte de São Paulo is Brazil’s first modern art museum. Do visit it here.
The J. Paul Getty Museum, Los Angeles
Travel back in time to the 8th century with this collection of European paintings, drawings, sculpture, illuminated manuscripts, decorative arts, and European, Asian, and American photographs.
Uffizi Gallery, Florence
Italy was hit hardest by the virus in Europe. Show some solidarity and pay this magnificent gallery a visit.
And, finally, enjoy this short walkthrough of the 2019 exhibition No Wrong Holes: Thirty Years of Nayland Blake at the Institute of Contemporary Art, Los Angeles (ICA LA), courtesy the artist themself.
— Nayland Blake (@naylandblake) March 15, 2020
An SFMOMA exhibition raises questions about what it means when museum board members have ties to politicians who support border wall policies.
The exhibition at the Jewish Museum delves into “degenerate” art and art made under duress as part of a thought-provoking yet diffuse exhibition.
In Philadelphia, a series of solo shows delves into the interdisciplinary practices of graduates whose work explores identity, familial bonds, political constructs, and nature’s fragility.
Despite his work’s apparent abstraction, Sheroanawe Hakihiiwe insists that “I don’t invent anything, everything I do is my jungle and what is there.”
David Uzochukwu, Kennedi Carter, and Kiki Xue are among the 35 artists whose work will be displayed online and at the festival in Milan, Italy.
On November 14, join Columbia University School of the Arts for virtual information sessions with the program chair, faculty, and staff.
No Vacancy, curated by Jody Graf, will be on view from October 26 through November 8 at the school’s Kellen Gallery in New York City.
To do so before they have returned the Maqdala treasures and the Benin Bronzes and the Easter Island statues and the Maori heads, before a coherent set of precepts for decolonization has been articulated, would affirm the wrong principle.
“Everybody in Mesopotamia, as far as I understand it, believed in ghosts,” said Irving Finkel, a curator of the British Museum’s Middle Eastern department.