Weekly Newsletter
This Is Class War
The latest on the student protests in France, the art world’s AI problem, one-on-one with Rosana Paulino, and Beer With a Painter featuring Melissa Brown.
Hakim Bishara is Hyperallergic's Editor-in-Chief. He is a recipient of the 2019 Andy Warhol Foundation and Creative Capital Arts Writers Grant, and he holds an MFA in Art Writing from the School of Visual Arts in New York.
Weekly Newsletter
The latest on the student protests in France, the art world’s AI problem, one-on-one with Rosana Paulino, and Beer With a Painter featuring Melissa Brown.
Weekly Newsletter
John Yau on Roy Lichtenstein, Megan O’Grady on John Berger, and Paddy Johnson answers the question: Do I need an agent?
Guide
Titles on contemporary Diné weavers, Black American quilting in California, the Bayeux Tapestry, artists including Cecilia Vicuña and Olga de Amaral, and more.
Weekly Newsletter
Lucy Ives reviews the Krasner-Pollock show at The Met, the L train burlesque arrives in Manhattan, photos from the student protests in France, and an interview with outgoing Yaddo President Elaina Richardson.
Interview
After stabilizing, modernizing, and diversifying the century-old artist retreat, Richardson says she's ready for a new chapter.
Weekly Newsletter
Arthur Jafa at the New Museum, Teresa Margolles at MoMA PS1, the story of an unsung Black architect, and our art tarotscope for the fall.
Weekly Newsletter
The New York art fairs, the worst of the Venice Biennale, Taryn Simon’s incomplete detective story, and Damien Hirst’s gay hole.
Pocket Review
This year's edition seemed awfully quiet and downcast, making the financial sector trade show on the floor below seem like a riot in comparison.
Weekly Newsletter
One-on-one with Alfredo Jaar, Damien Hirst’s secret life, Anish Kapoor's optical trickery, and another BS "most influential" list.
Pocket Review
The Chilean artist’s drawings on hand-dyed paper and homespun fabric are like natural pills against language.
Interview
Four decades after his Times Square artwork challenged the definition of America, the Chilean architect calls himself “a pessimist with my intellect and an optimist with my will.”
Weekly Newsletter
Artists reflect on 25 years since 9/11, Smithsonian Secretary Lonnie Bunch calls it quits, and our list of art books to read this fall.