In a storyline that feels increasingly commonplace, the COVID-19 pandemic is leaving thousands of art workers in Italy stranded and in dire economic straits. All exhibitions and art-related events, of course, have been cancelled — but the problem goes beyond that.
It’s not exactly a secret that the art world has always suffered from significant structural problems, among them the overreliance on and exploitation of unpaid labor, the hyper-professionalization of the art industry, the huge disparity of wealth and even ethics between the financial interests supporting the arts and those of the arts workers themselves, and the relative lack of governmental and financial regulation.
It is precisely this lack of regulation which has been thrown into sharp relief by the coronavirus crisis, that calls for necessary government intervention. These problems are exacerbated in Italy, where funding for the arts is lumped together with several other sectors under the overall supervision of the Ministry of Cultural Heritage and Activities and Tourism. The unsurprising outcome is that, in a country where 13% of the national GDP is attributed to tourism, the contemporary arts sector is inevitably overlooked and forgotten.
Desperate for economic relief and legal protection, art workers across the country have responded to the government’s negligence by banding together. In late March, a new Facebook group was created with the aim of exchanging stories of how the current emergency was affecting the livelihoods of art workers. News quickly spread by word of mouth and, with how small the art world is in Italy, workers from across the nation began contributing their voices to the conversation. What started as a series of weekly meetings addressing immediate questions of survival eventually turned into a longer and much needed discussion about the structural problems of the art world in Italy. Since then, the group has ballooned into a formal coalition called Art Workers Italia (AWI). AWI has over 2,000 members nationwide, who have split themselves into well-organized committees in charge of tackling different systemic issues, including creating legal tools such as contracts for arts professionals, reconsidering various policies of economic viability for non-profit and small artist-run organizations, and researching arts advocacy groups already operating abroad, such as W.A.G.E., whose strategies can be adopted in Italy.
According to AWI’s website, “Art Workers Italia is an informal, autonomous, and non-partisan group of contemporary art workers formed in response to the current crisis due to the COVID-19 pandemic.” Together, they aim to finally address these systemic gaps that have long existed in the art world, and in their words, “advocat[e] for the inalienable right for the recognition of our status as workers, and along with it our subsequent rights and obligations.” In addition to establishing the group, AWI has also published a manifesto succinctly summarizing the institutional problems art workers are facing in Italy, presenting it at the virtual march Primo Maggio Cittadino in Turin on May first, International Workers’ Day.
The manifesto shines a clear light on the kinds of problems art workers across the country face. One of the most pressing is working without a contract. Approximately 13.8% of the overall economy in Italy operates in a so-called “shadow economy,” that is to say, illegally. Those who are fortunate enough to obtain a contract in writing often only do so as independent contractors, like many others working in the arts across the world. For these art workers, this means that the majority of their employment is piecemeal, varying wildly from month to month. Although Italy recently passed the “Cura Italia” decree to provide aid to workers, oftentimes these independent contractors face great difficulty reaching the minimum days of employment necessary to qualify for government benefits, including unemployment benefits and sick leave. Without government intervention, art workers are left without jobs, without pay, and without any way to survive the coming months.
With any luck, Art Workers Italia will be the answer that this country has long awaited. AWI is a feat in grassroots organizing, particularly in a nation as varied as Italy, which has historically been defined by its regionalisms. The group’s strength lies in the numbers of its participants, who represent every sector of Italy’s art world — from those working within the nation’s most powerful institutions to its most vulnerable workers, who have historically never had a seat at the table. For the first time, AWI gives voice to the multitude of arts workers across Italy, representing their collective needs and calling attention to an untenable situation.
Saudi Arabia Announces $1M “Freedom of Expression” Art Award
Kanye West, Roman Polanski, and Carl Andre are among the shortlisted artists.
British Museum Offers Greece “Exclusive NFT” of the Parthenon Marbles
“With the power of blockchain technology, there will be no question who the real owner is,” said a British Museum spokesperson.
The Public Theater Explores the Hurricane Katrina Diaspora in shadow/land
Written by Erika Dickerson-Despenza and directed by Candis C. Jones, this lyrical meditation on legacy, erotic fugitivity, and self-determination is on view in NYC.
MoMA to Co-Curate Exhibition With NYPD
Arrest Me, Daddy hopes to cast a more positive light on the work of law enforcement officers.
Repatriation-Inspired Fragrance Line Hopes to Heal Collector Wounds
The exotic scents of the Rapatriement line offer solace and joy to dismayed collectors who were forced to return looted artifacts.
The Rubin Museum Presents Death Is Not the End
Tibetan Buddhist and Christian works of art made across 12 centuries explore death, the afterlife, and the desire to continue to exist. On view in NYC.
Mediocre Painting Thought AI-Generated Revealed as Work of Real Artist
Visitors who spoke to Hyperallergic said they were “horrified” to learn that a human could come up with such a banal and poorly executed artwork.
Prince Harry to Star in New Van Gogh Biopic
The estranged prince said he took the role to raise awareness of mental health issues.
When I Am Empty Please Dispose of Me Properly
Ayanna Dozier, Ilana Harris-Babou, Meena Hasan, Lucia Hierro, Catherine Opie, Chuck Ramirez, and Pacifico Silano explore the myths of the American Dream at Brooklyn’s BRIC House.
Newly Discovered Trove of Vermeer Works Reveals He Painted Mainly Dogs
A cache of 243 paintings found in an English castle, all depicting canine subjects, suggests Vermeer’s true aspiration was to become a dog portraitist.
Vatican Partners With Balenciaga on “Spiritual” Menswear Line
A spokesperson for the church cited “shared values” with the fashion brand.
Pratt’s 2023 Fine Arts MFA Thesis Exhibition Is On View in Brooklyn
The two-part exhibition features the work of 41 graduating artists across disciplines, including painting, sculpture, printmaking, and integrated practices.
Iran Issues Fatwa Against AI
A reinterpretation of the Quran through a queer lens, written by an AI chatbot, is said to cause the move.
Met Gala Announces 2023 “Looting and Plunder” Theme
Select A-list guests will be invited to wear any artifacts from the museum’s collection that have not yet been seized by the Manhattan DA’s office.