An art attorney contacted the FBI on behalf of an anonymous client who was in possession of a mosaic of Medusa.
Two activists from the group Ultima Generazione glued their hands to the base of the ancient Roman statue “Laocoön and His Sons,” dubbed as a “prototypical icon of human agony.”
The unorthodox bodies that Donatello sculpted seem intertwined with the unorthodox relationship he developed between his own body and the bodies of other queer men.
The protest at the Uffizi Gallery in Florence was the most recent in a string of actions involving activists attaching themselves to artworks.
The Carabinieri’s art crime unit said Gentileschi’s masterpiece “Caritas Romana” was on its way to be sold in Vienna.
Yiddishland Pavilion artists Yevgeniy Fiks, Avia Moore, and others effectively question the borders that continue to define the art world.
ZACentrale aspires to develop the Italian city of Palermo as a regional art hub while serving its distinctive local community.
Yiddishland is a porous and generative project that threads itself through various pavilions, subtly undermining the national logic of the biennale.
There are 30 nations represented in the international exhibition. Some aren’t in their best moment today. A comics diary.
The Soul Expanding Ocean at TBA21–Academy Ocean Space in Venice’s Chiesa di San Lorenzo brings together two artists with different but complementary ways of engaging with oceanic histories and ecologies.
A stone was carved with a phallus and the words “Secundinus, the shitter.”
The initiative will put the Vatican Museum’s masterpieces on the blockchain.