Week in Review is a weekly collection of news, developments, and stirrings in the art world. Subscribe to receive these posts as a weekly newsletter.
In the wake of the massive explosion in Beirut, which killed at least 135 people, art institutions are banding together to help protect collections and offer storage. Gallery director Gaia Foudolian and prominent architect Jean-Marc Bonfils both died in the blast.
The Tenement Museum Union has filed a complaint with the National Labor Relations Board against the Lower East Side museum, accusing its leadership of unfair labor practices. The complaint was filed on July 24, two days after the museum laid off 76 workers, which included its entire staff of part-time educators.
The Metropolitan Museum of Art laid off 79 workers. Another 181 were furloughed and 93 workers accepted voluntary retirement.
A $5 million gift from philanthropist Adrienne Arsht will be used to pay all future interns at the Metropolitan Museum of Art.
Fifteen artists set up easels and art equipment in downtown Portland, Oregon for a live painting action called the “Wall of Artists.”
The American Museum of Natural History (AMNH) announced that it will reopen its doors to the public on September 9, pending approval from New York State and New York City. The museum has also ended its pay-what-you-wish admission policy.
The Trump Statue Initiative, which makes temporary monuments mocking the president, staged its latest series in Portland, concurrent with the protests there and the federal government’s violent response.
An illustration by digital artist Alexis Franklin commemorating Breonna Taylor, a 26-year-old emergency medical technician who was murdered by Louisville police, will grace the upcoming cover of Oprah Magazine’s September edition.
Pi-eX, a London-based art market analytics company, reported the extent of recent losses at the “big three” auction houses, Christie’s, Sotheby’s, and Phillips. In the second quarter of last year, the auction houses made $4.4 billion. In the same period this year, they have made $900 million, a whopping 79% decline. It is clear that, at this point in time, online auctions are simply not capable of generating as much income as in-person sales. When all auctions were online-only in April, revenue dropped, as did the average lot price. And when in-person sales came back in June, so did revenue; the June sales accounted for 85% of the second quarter revenue.
Sotheby’s London held its summer Books and Manuscripts sale, an online auction with pieces on topics as disparate as avians and Zionism. The sale notably included a collection of Oscar Wilde material from the collection of actor Steven Berkoff, who directed and acted in an adaptation of Wilde’s once-banned tragedy Salomé. Standout lots include a questionnaire of personal questions that a young Wilde answered in 1877, which sold for £47,880 (~$62,984), and a 16-page letter that he sent to the manager of St. James’s Theater outlining his comedy The Importance of Being Earnest, which sold for £126,000(~$165,712).
Phillips has debuted a new art analytics tool, Articker, to aid in the tricky task of tracking artists’ markets. Normally the method of choice in deducing market trends in the art world is some combination of gut instinct and Artnet’s price database, a searchable aggregator of auction results. Bringing new algorithmic capacities to the table, Articker trawls open-source data like media coverage to chart market trends and identify emerging markets in a different way. Its database currently includes some 150,000 artists.
This Week in the Art World
New York’s Miles McEnery Gallery added Rico Gatson to its roster. | Miles McEnery Gallery
Gagosian will open spaces in Los Angeles and Athens. | Artsy
Art Paris released a list of its 2020 exhibitors. | Art Paris
Germany’s Federal Art Collection increased its acquisition budget by 600%. | Artforum
Sotheby’s Old Master Specialist Chloe Stead will now serve as Senior Director at Colnaghi in London. | artdaily
The Ackland Art Museum at University of North Carolina-Chapel Hill received a donation of three paintings from Jane Roughton Kearns. | Charlotte Observer
Lisson Gallery is expanding to East Hampton. | Lisson Gallery
Three trustees have joined the board of the San Antonio Museum of Art. | via email announcement
The Shaker Museum in Chatham, New York announced amajor expansion program. | Art Newspaper
Eight employees were laid off at the Huntington Library, Art Museum and Botanical Gardens in San Marino. | Los Angeles Times
The Future Generation Art Prize shortlist was announced. | Future Generation Art Prize
Eric Bentley (1916–2020), theater critic and playwright | Broadway World
David Cort (1935–2020), founding member of Videofreex | Instagram
Pete Hamill (1935–2020), New York journalist, editor, and writer | The Daily Beast
John Homans (1958–2020), magazine editor | Vanity Fair
Dr. Mohamed Mashali (1944–2020), Egyptian “doctor of the poor” | Middle East Monitor
Adam Max (1958–2020), Brooklyn Academy of Music chairman | Bloomberg
Martha Nierenberg (1924–2020), Dansk Designs co-founder and art restitution plaintiff | artdaily
Alan Parker (1944–2020), British film director and producer | CNN
James Powers (1940–2020), Brooklyn gallerist | New York Times
James Silberman (1927–2020), book editor | New York Times
Abdul Hay Mosallam Zarara (1933–2020), Palestinian artist | ARTnews
I won’t bother you with talk about how obscenely decadent and out of touch the Frieze art fair is. And yet…
Curators Tahnee Ahtone, La Tanya S. Autry, Frederica Simmons, Dan Cameron, and Jeremy Dennis offered the public a window into their curatorial processes through the work they produced during their fellowships.
Who says tragedy has to be tragic? Co-presented with National Black Theatre, this fresh, Pulitzer-winning take on a classic centers Black joy and liberation.
As part of Hyperallergic’s Emily Hall Tremaine Journalism Fellowship for Curators, Jeremy Dennis presents an exhibition to offer insight into his curatorial process.
As part of Hyperallergic’s Emily Hall Tremaine Journalism Fellowship for Curators, Dan Cameron presents an email exhibition to offer insight into his curatorial process.
For the triennial’s eighth edition, work by more than 70 artists is featured in 12 exhibitions and a polyphonic program, installed at various locations throughout the German city.
As part of Hyperallergic’s Emily Hall Tremaine Journalism Fellowship for Curators, Frederica Simmons presents an email exhibition to offer insight into their curatorial process.
As part of Hyperallergic’s Emily Hall Tremaine Journalism Fellowship for Curators, La Tanya S. Autry presents an exhibition to offer insight into her curatorial process.
This exhibition explores the work and short-but-impactful life of the groundbreaking ceramic artist. Now on view at the New Orleans Museum of Art.
As part of Hyperallergic’s Emily Hall Tremaine Journalism Fellowship for Curators, Tahnee Ahtone presents an email exhibition to offer insight into her curatorial process.
This week: Why does the internet hate Amber Heard? Will Congress recognize the Palestinian Nakba? And other urgent questions.
Artist Dan Jian makes the point that landscapes and memory are one and the same.