By the mid-20th century, New York City had arguably surpassed Paris as the new capital of Western art. Artists from all over the world still flock to the city to this day, drawn by its diversity, culture, and opportunity. But New York hasn’t just housed generations of artists; it’s also been their muse.
Scenes of New York City: The Elie and Sarah Hirschfeld Collection, edited by Roberta J. M. Olson and published by D Giles Limited, is a compendium of artworks inspired by the Big Apple. Real estate developer and art collector Hirschfeld began collecting works on the theme in the 1970s, when he purchased a 1945 painting by Thomas Hart Benton depicting a view of Washington Square. Today, his collection — which he recently promised to the New-York Historical Society — comprises 113 pieces by 82 artists, most of which were executed after 1900.
The artists in Hirschfeld’s collection made their works as visitors, immigrants, and natives to the dynamic city. They recorded New York as it changed in ways big and small, from skyscrapers and bridges to lunch counters and street vendors. Hirschfeld’s collection offers a multifaceted visual history of the city, albeit one through a mostly European and European-descended lens. In conjunction with the book, Hirschfeld’s collection is also on view at the New-York Historical Society through August.
Standouts include Marc Chagall’s “View of Central Park from the Window” (1958), a drawing made from the artist’s room at the Stanhope Hotel with airy, quick strokes that seem to capture a bit of the city’s frenetic energy. On the other end of the spectrum, Mark Rothko’s “Untitled (The Subway)” (1937), with its muddy colors and cage-like pillars, conveys the stifling stillness on the platform during the moments between trains.
As an added bonus, Scenes of New York City often features lesser-known sketches and pieces that show artists at unexpected angles. For instance, we see Georgia O’Keeffe relish in the sharp lines of the Brooklyn Bridge, a crowded backyard scene by the nature-lover Charles Burchfield, and a luminous oil painting of Greeley Square by the illustrator and Madeline creator Ludwig Bemelmans. Lovers of New York are sure to enjoy the many views of the city that the book offers.
Al-Hadid’s new mosaic features the famed clock that hung at the entrance of the original station until the building was demolished in the 1960s.
The excavation project also yielded Old Kingdom-era amulets, stoneware, and daily-use tools.
Join the New-York Historical Society on February 10 for a virtual conversation about our changing relationship to the natural world with Julie Decker, John Grade, and LaMont Hamilton.
The steel spike clad in gold and silver commemorated the completion of the Transcontinental Railroad in 1869.
Thanks to a $3.3 million grant from the state’s Creative Corps, artists can now apply to bring the project to their neighborhood.
Your list of must-see, fun, insightful, and very Los Angeles art events this month, including Alicia Piller, Brad Phillips, Mulyana, the MexiCali Biennial, and more.
Her solo exhibition at the Los Angeles institution demonstrates how natural light can turn an overlooked, everyday setting into a sublime landscape.
Presented by Northwestern’s Block Museum and McCormick School of Engineering, this new exhibition seeks empathy at the boundaries of life. On view in Evanston, Illinois.
Nicola López and Paula Wilson’s exhibition Becoming Land considers anthropocentric relationships with New Mexico’s desert landscapes.
A festival dedicated to Davinci’s The King Show celebrates the LA artist’s trippy remixing of stock footage, Hollywood cinema, and theater.
Located in Des Moines, Iowa, this residency for emerging and established artists includes studio and living space, a $1,000 monthly stipend, and more.
20th Century Indian Art: Modern, Post-Independence, Contemporary surveys the many distinct aspects of art in South Asia.
Moving too fast on your commute, looking out of the corner of your eye one second too late, and you might miss HOTTEA’s yarn installations.