Clockwise from top left, Tali Hinkis; a detail of a recent work by art duo LOVID, which included Hinkis; artist Daniel Temkin, and a detail of a recent work by Temkin. (all images courtesy the artist or Hyperallergic/Hyperallergic)

Artists Tali Hinkis and Daniel Temkin have been at the leading edge of digitally informed contemporary art that explores the boundaries of programming, digital aesthetics, and the handmade. Their work is certainly unique, but they also share some commonalities around media-based art, glitch, and how their work in the gallery and online is circulated and experienced. I invited them to join me for a conversation to hear the thoughts of two intelligent artists who are fully engaged with the new wave of thinking around digital practices in the arts. Hinkis and Temkin are both participating in various “Digital Combine” exhibitions curated by artist Claudia Hart, who coined the term based on artist Robert Rauschenberg’s earlier “Combines” concept that intersects sculpture and painting. In this new incarnation, the digital and analogue are in dialogue.

I also invited both artists, who are of Jewish descent, to reflect on their cultural heritage and how it manifests and informs their larger bodies of work. This conversation is part of a continuing series we’ve been doing over the last year with the help of CANVAS, a foundation interested in fostering new Jewish creativity in the 21st century.

Hinkis and Temkin are both exhibiting together in Digital Combines at Bitforms gallery in San Francisco until June 11, 2022.

The music for this episode is “Ultra (Yung Sherman Mix)” by Evian Christ, courtesy Warp Records.

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Hrag Vartanian

Hrag Vartanian is editor-in-chief and co-founder of Hyperallergic. You can follow him at @hragv.

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