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Clio, the Art World’s “Anti-Fair,” Returns to NYC
This year, the fair that bills itself as a haven for independent artists received double the submissions and is hosting not one but two editions.
Aaron Short is a Brooklyn-based journalist covering politics, criminal justice, real estate, the environment, and the arts.
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This year, the fair that bills itself as a haven for independent artists received double the submissions and is hosting not one but two editions.
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Some tenants say they’ve lost a lifetime of work to the blaze that ravaged a Red Hook building housing dozens of studios and art businesses.
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A recent workshop in Manhattan's Lower East Side challenged the notion that the takeover of machine learning is inevitable.
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An exhibition of artworks by the System of a Down frontman at the Armenian Museum of America pairs his works with music he composed especially for them.
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It’s the first such collaboration between an auction house and a fair, two distinct models for selling art.
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Galleries say they are facing unanticipated costs and jittery collectors despite longstanding exemptions for artworks.
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The Foundation wants to transform the complex into a residency program, a plan it says will keep longtime tenants in their studios amid concerns over the sale.
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A handful of independent jigsaw companies are bringing art by living artists into a playful new medium.
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Amid market unease and slimmer blue-chip participation, some galleries see an opportunity to cultivate collectors at the mammoth Manhattan fair.
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Faculty and union members are questioning the staff cuts, arguing that they will harm the school’s ability to nurture the next generation of artists.
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Thousands are flocking to Aix-en-Provence for a regionwide celebration of the French Impressionist that includes his recently renovated estate and studio.
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From glass to steel to plywood, popular materials for sculptures and installations may be less accessible as Trump’s policies change day by day.