Now on view at Art Basel Miami Beach, sound artist Jana Winderen’s The Art of Listening: Under Water draws listeners’ attention to the rich sonic landscapes of nature — and highlights how human activity might affect them.
The power of her work comes from its suggestion that specificity and universality, when it comes to identity and experience, are not mutually exclusive concepts, but often exist side by side.
Holly Hendry’s works offer an innovative view on the repurposing of materials in art, exploring how things usually considered to be trash can be recycled.
This exhibition, Antony Gormley returns repeatedly to the motif of the artist’s own body to explore the significance of differences in scale and the negative space around an artwork.
The curators of Olafur Eliasson: In Real Life have highlighted the the open-endedness of his practice by allowing the exhibition to spill out over the boundaries of the ticketed space into corridors, the terrace outside, and other places.
Artistic allusions to rising waters can be found across the Venice Biennale this year, and they strike home with a particular power given the ongoing destruction of the natural world.
Plastics have drastically altered our society and environment. A new book by Amanda Boetzkes looks at the material as an artistic medium and eco-cultural signifier.
A new exhibition at Amsterdam’s Van Gogh Museum brings together depictions of the natural world by Vincent van Gogh and David Hockney.
Artist Nancy Campbell’s book The Library of Ice draws parallels between ecological breakdown and the loss of human culture.
In advance of her first retrospective outside the US, avant-garde artist Senga Nengudi discusses her emergence onto an international stage after a long career.