Features
The Sticky Politics of Wall Texts
I never thought I would become an art critic who complains about exhibition didactics. And yet, after a visit to the 36th Bienal de São Paulo, here I am.
Aruna D’Souza is the author of "Whitewalling: Art, Race & Protest in 3 Acts" and "Imperfect Solidarities". She received the 2021 Rabkin Prize for art journalism. Photo by Grace Roselli, Pandora's BoxX Project.
Features
I never thought I would become an art critic who complains about exhibition didactics. And yet, after a visit to the 36th Bienal de São Paulo, here I am.
Art Review
The painter mines an iconographical language of grief through delicate, translucent paintings imbued with a sense of intimacy and intensity.
Guide
Our recommendations this week delve into colonialism, war, feminism, and more, from artists such as Sarah K. Khan and Lisa Yuskavage.
Art Review
Her current exhibition, addressing histories of immigration and cultural encounter, emphasizes the legacies of African and Asian women.
Guide
Some of our favorite exhibitions center performance and pattern, from MoMA PS1’s Vaginal Davis survey to a show on data infographics inspired by W. E. B. Du Bois.
Art Review
The Omaskêko Cree artist ties the well-being of the animals to that of the Indigenous people with whom they have long lived symbiotically — not in nostalgic terms, but in futurist ones.