The Polycrisis Sublime of the Whitney Biennial

It felt like the world as I experience it: no clear path, but enough moments of beauty to convince me to put one foot in front of the other.

The Polycrisis Sublime of the Whitney Biennial
Installation view of Pat Oleszko, "Blowhard" (1995), bylon and blower (photo Hakim Bishara/Hyperallergic)