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Hyperallergic

Hyperallergic

Sensitive to Art & its Discontents

Bansie Vasvani

Bansie Vasvani is an independent art critic with a focus on Asian and other non-Western art practices. She lives in New York City.

Posted inArt

A Survey of Art from the Middle East and North Africa Puts Geometry Before Politics

by Bansie Vasvani September 19, 2016September 27, 2016

Taking its title, But a Storm Is Blowing from Paradise, from a painting in the exhibition by the exiled Iranian artist Rokni Haeirzadeh, the third edition of the Guggenheim UBS MAP Global Art Initiative focuses on contemporary art from the Middle East and North Africa.

Posted inArt

An Indian Modernist’s Abstractions of Famine and War

by Bansie Vasvani August 24, 2016August 24, 2016

In Rabin Mondal’s most iconic paintings, amphibious characters resembling frogs stare out of the canvas.

Posted inArt

Abstract Paintings that Evoke Persian Gardens and a Bloody Coup

by Bansie Vasvani June 20, 2016June 20, 2016

Due to the impenetrable, illusory quality of these paintings, one doesn’t immediately associate them with covert operations, skullduggery, and violence.

Posted inArt

From Ancient Forms, an Artist Shapes a New Lexicon

by Bansie Vasvani June 1, 2016June 2, 2016

SHARJAH, United Arab Emirates — Simone Fattal’s ancient-looking artifacts beckon from afar.

Posted inArt

An Iranian Artist Who Found a Form of Resistance in Nature

by Bansie Vasvani May 9, 2016May 11, 2016

SHARJAH, United Arab Emirates — For the renegade Iranian artist Farideh Lashai, landscape painting became a reflexive gesture to experiment with new forms and animated methods.

Posted inArt

Uncanny Films About the Traumas of War

by Bansie Vasvani May 2, 2016April 29, 2016

Omer Fast’s unsettling videos about the trauma of combat linger in one’s mind.

Posted inArt

The Spectacle of the “Other” in a Grotesque Zoo

by Bansie Vasvani April 15, 2016April 15, 2016

SAVANNAH, Georgia — Contrary to his gentle voice and friendly manner, Lavar Munroe’s first U.S. museum exhibition is filled with grotesque half-animal, half-human figures wielding hostile gloves and knives like predators.

Posted inArt

Retrieving the History of Indonesia’s Massacred Chinese Community

by Bansie Vasvani April 6, 2016August 26, 2016

For FX Harsono, art is activism.

Posted inArt

At the Marrakech Biennale, a Conversation Between Postcolonial Identities

by Bansie Vasvani April 4, 2016April 8, 2016

MARRAKESH — Set outside the institutional white cube, in restored ancient sites and the ruins of a 16th-century palace, the sixth edition of the Marrakech Biennale, Not New Now, arrives like a breath of fresh air.

Posted inArt

A Chronicler of Poverty in Post-Independence India Who Found Dignity in the Details

by Bansie Vasvani March 7, 2016March 7, 2016

The late theorist and photographer Bhupendra Karia’s lifelong mission may best be summed up as a quest for objectivity.

Posted inArt

Talismanic and Tenacious Goddesses that Resist Femininity

by Bansie Vasvani February 18, 2016February 18, 2016

Rekha Rodwittiya’s iconic female figures loom large.

Posted inArt

A Filipino Artist’s Divine Deluges of Paint

by Bansie Vasvani February 8, 2016February 8, 2016

Jigger Cruz is one of several young Filipino artists experimenting with new methods of painting, and his attempt to break with traditional representation has yielded a new form of automatism.

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Hyperallergic is a forum for serious, playful, and radical thinking about art in the world today. Founded in 2009, Hyperallergic is headquartered in Brooklyn, New York.

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