The well-known Delhi Art Gallery’s capacious new space in New York’s prestigious Fuller Building brings Indian modernists to a Western audience.
Bansie Vasvani
Bansie Vasvani is an independent art critic with a focus on Asian and other non-Western art practices. She lives in New York City.
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The Asia Pacific Triennial Chooses the Margins as a Radical Space
BRISBANE, Australia — Suppressed voices, marginalized histories, and public spaces take center stage at the 8th Asia Pacific Triennial.
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Aestheticizing the Reality of a Polluted River
Originating in the Himalayas, the Yamuna river flows through New Delhi and accounts for more than 70% of the city’s water supply.
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Painting the Imagined Space Where East and West Harmonize
Salman Toor’s insular scenes of life in Pakistan have vanished.
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Grotesque, Sewn Self-Portraits Pervert Norms of Female Beauty
Gargoyle faces and witch-like masks adorn the walls of Yoon Ji Seon’s first US solo exhibition, Rag Face, at the Yossi Milo Gallery, New York.
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Looking to the Future Through the Traumas of the Past
Works from Cambodia, Indonesia, Myanmar, the Philippines, Thailand, and Vietnam are linked by their use of tactile objects to illuminate the terrors of political exigencies and trauma from martial law.
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In Japanese Sculptor’s US Solo Debut, a Phantasmagoria of Color and Motion
Entering the world of Tokyo-based Japanese sculptor Teppei Kaneuji is like walking into a funky workshop gone awry.
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From Deforestation to Disappeared Populations, Bogota’s ARTBO Fair Reflects South America’s History
BOGOTA — The 11th edition of ARTBO in Bogota, Colombia, held from October 1–4 at the Corferias convention center, was a sea of abstract and conceptual art.
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Witnessing the Passage of Time with Detritus and a Crumbling “David”
The elevator opens onto a dark, shrouded foyer. A few steps in and one encounters quite unexpectedly the large, gloomy front room of Argentine artist Adrián Villar Rojas’s first solo exhibition, Two Suns, at the Marian Goodman Gallery, New York.