Book Review
Louise Bourgeois’s Life Was as Monumental as Her Art
Writing one of the first comprehensive biographies of a major artist could prove daunting, but taking on Bourgeois's long life in art might be called heroic.
Book Review
Writing one of the first comprehensive biographies of a major artist could prove daunting, but taking on Bourgeois's long life in art might be called heroic.
Guide
A Louise Bourgeois biography, Joe Sacco’s latest graphic investigation, a Wifredo Lam catalog, a study of diasporic Nigerian women artists, and more.
Art Review
A lot of the enjoyment of Thiebaud’s retrospective is spotting the Easter eggs of earlier art, whether overt, covert, or something more subtle.
Books
A new book invites us into the tight-knit circle of women modernists in late-19th-century Denmark through quietly subversive gestures; you’ll never look at a glove the same way again.
Books
Delve into Lucy Lippard’s short fictions, Tamara Lanier’s indelible memoir, The White Pube’s tales of absurdity in the art world, new perspectives on Mucha, and more.
Book Review
The Radical Print reframes the work of five artists who used the form to satirize and lampoon, actively dismantling power systems in the process.
Art
Kathleen Ryan’s large, blingy sculptures of rotting fruit are both semaphores and sirens, warning of our cultural ruin while beckoning us to come closer.
Art
Marrying synthetic Cubism with 16th-century Italian Mannerism and the sensuality of Jean-Dominique Ingres, the artist's work and life seem made for the silver screen.
Books
Though it glosses over his misogyny, Michael Peppiatt’s biography reflects Giacometti’s uncanny ability to capture the energy of ancient art in a modern format.
Books
Mothers of Invention tells the story of how the movements, media, and styles of the past 50 years were inspired by feminism — through mostly White artists.
Books
In 1927, Pressoir carried 30 pounds of art-making supplies on a bike ride from France to Italy. It was just the beginning of an inimitable artistic journey.
Books
Whenever French 18th-century artist Adélaïde Labille-Guiard is mentioned, it’s almost always as a counterpoint to her better-known “rival,” Élisabeth Vigée-Lebrun.