Wednesday night, a decision by a three-judge appellate court panel marked a turnaround in the closely watched copyright infringement case Cariou v. Prince, pitting photographer Patrick Cariou against art star Richard Prince. Hyperallergic consults intellectual property expert Peter Friedman on the new outcome, with further exclusive commentary from Cariou’s attorney.
The Affordable Art Fair’s press preview and opening party on Wednesday was a clusterfuck par none. You’d think there were hundreds of eager collectors chomping at the bit to enter a race to obtain star works early, before the riffraff arrived to pick through the rejections. But this is not Art Basel. The Affordable Art Fair is always a mix of the good, the bad, and the lovely, but competitive shopping it is not.
With the economy slowly creaking back to life and a good deal of speculation about an imminent art market bubble burst, the intrepid collector and writer Adam Lindemann has seen fit to open a brand-spanking-new gallery in the lap of luxury at 980 Madison Avenue.
You need to read this because you don’t want to be caught with your pants down in front of some inexplicable wall full of squiggles: not only will you get arrested (umm…maybe), but you’ll look like a schmuck.
What do you do with a stolen drawing by Dalí? Apparently you mail it back.
Banksy is celebrating Her Majesty The Queen Elizabeth II’s Diamond Jubilee with a bit of art.
An op-ed on the current Prince v Cariou appeal and how it’s about money.
If only you knew how to talk about Cindy Sherman you’d feel better about throwing yourself into the ring with all the art pundits and critics who have been falling over themselves to give kudos to the current MoMA retrospective which covers her 35 year career from when she was good until now.
Upstairs from “Larry,” in the Carlyle Galleries Building at 980 Madison Avenue, Adam Lindemann’s latest art toy, Venus over Manhattan, was unveiled to the press Wednesday morning.
With plans in the offing for Jeff Koons’s astounding “Train” to dangle preposterously over the heedless noggins of visitors to the High Line, it might just be a good time to polish up your talking points regarding the greatest of all kitsch artists.
You’re supposed to complain about the art fairs … just like you’re supposed to complain about the Whitney Biennial. IN fact, it is a general art world rule that you should complain about anything you find worthy of revisiting year after year. And then you should always threaten never to go again.
The artist Christo continues to battle to realize his “Over the River” project in Colorado, announcing last week that the controversial work hopes to go up a year later than planned. The new exhibition date for “Over the River,” which involves the creation of a canopy of shiny polypropylene fabric over a 42-mile section of the Arkansas River between Salida and Cañon City, will be August 2015, pushed back from the same time a year before.