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Hyperallergic

Hyperallergic

Sensitive to Art & its Discontents

Charissa Terranova

Charissa N. Terranova is Associate Professor of Aesthetic Studies in the Edith O’Donnell Institute of Art History at The University of Texas at Dallas. Terranova is the author of Automotive Prosthetic: Technological Mediation and the Car in Conceptual Art (2014), Art as Organism: Biology and the Evolution of the Digital Image (IB Taurus, 2016), and coëditor of the Routledge Companion to Biology in Art and Architecture (Routledge, 2016). She is on sabbatical for the 2015-2016 academic year.

Posted inArt

Glittery Sylphs, Decorated Camels, Cracked Earthen Paintings, and Botched Machismo

by Charissa Terranova November 12, 2015November 16, 2015

DALLAS — While heterogeneous in form, cultural reference, and concept, the four exhibitions at the center of the Dallas Contemporary 2015 season openers stand together seamlessly.

Posted inArt

Hollywood, Texas: The Movie Myths of Hubbard/Birchler

by Charissa Terranova August 23, 2015August 27, 2015

HOUSTON — The exhibition’s name – Sound Speed Marker – gets at the essence of Austin-based artist-duo Hubbard/Birchler’s work. As moving-image artists, Dubliner Teresa Hubbard and the Swiss Alexander Birchler make self-reflexive film: film about the elements of film.

Posted inArt

Bringing Latin American Masters of Kinetic and Light Art Out of Obscurity

by Charissa Terranova August 10, 2015August 14, 2015

HOUSTON — Twentieth-century kinetic and light art has long been the redheaded stepchild of the art world.

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Hyperallergic is a forum for serious, playful, and radical thinking about art in the world today. Founded in 2009, Hyperallergic is headquartered in Brooklyn, New York.

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