In Petrit Halilaj’s current exhibition at the New Museum the artist again explores matters of excavation as a means to explore issues of nationality.
Cynthia Cruz
Cynthia Cruz’s poems have been published in the New Yorker, Paris Review, Boston Review, American Poetry Review, Kenyon Review, and others. Her first collection of poems, RUIN, was published by Alice James Books and her second collection, The Glimmering Room, was published by Four Way Books in 2012. Her third collection, Wunderkammer, is forthcoming in 2014. She has received fellowships from Yaddo and the MacDowell Colony, as well as a Hodder Fellowship from Princeton University. She teaches at Sarah Lawrence College and lives in Brooklyn, New York.
Posted inArt
A Romanian Artist Tackles Art and Freedom in Authoritarian Times
Geta Brătescu’s work positions the artist as a creator of freedom even in oppressive times.
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Videos that Question the Politics of Different Bodies
At the Met Breuer, four works by David Hammons, Arthur Jafa, Steve McQueen, and Mika Rottenberg overlap with and inform one another.
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Carol Rama’s Resistant Desire
A survey of Rama’s work at the New Museum shows an almost manic motion between ideas and styles — the Italian artist’s way of defying reduction.
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A Democratic Dance Moves Visitors at MoMA
Anne Teresa De Keersmaeker’s Work/Travail/Arbeid is a kind of communal performance in which everyone is welcome.
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Hanne Darboven Reflects the Infinite Feeling of History
The artist’s “Kulturegeschichte 1880–1983” (“Cultural History 1880–1983”) is a seemingly endless archive that renders the viewer mute.
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The Beauty of a Museum Show that Feels Not Quite Finished
Kai Althoff’s paintings, drawings, sculptures, and artifacts at the Museum of Modern Art provide questions rather than answers.
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Lost in an Art Historian’s Annals of 1960s–70s NYC
To enter Douglas Crimp’s exhibition at Galerie Buchholz is to enter a state of overwhelm.
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Andrea Zittel’s Sculptures for Survival
The artist’s current exhibition at Andrea Rosen Gallery explores and interrogates what it means to be a participant in American culture.
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Seeing the Deterioration of Technology in Thomas Struth’s Photographs
BERLIN — Thomas Struth’s current exhibit at the Martin-Gropius-Bau is compact yet compelling.
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Finding Love and Community in Nicole Eisenman’s Paintings
One thing that is immediately apparent in Al-Ugh-Ories, Nicole Eisenman’s show at the New Museum, is her streak of resistance.
Posted inMusic
Fatima al Qadiri’s Poetry of Terror and Protest
Fatima Al Qadiri has just released her second full-length album, Brute. A concept album, it is, according to Al Qadiri, a protest album in the lineage of Marvin Gaye’s “What’s Going On.”
